"Piano Sonata No. 3, Op. 92 No. 4: I. Allegretto piacevole, animato e flessibile" by Ernst Krenek, Glenn Gould was released on 1959. With this song being about 5 minutes long, at 4:44, "Piano Sonata No. 3, Op. 92 No. 4: I. Allegretto piacevole, animato e flessibile" by Ernst Krenek, Glenn Gould is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Glenn Gould's "Glenn Gould Plays Sonatas, Fantasies & Variations" album is number 2 out of 55. Based on our statistics, Piano Sonata No. 3, Op. 92 No. 4: I. Allegretto piacevole, animato e flessibile's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Sonata No. 3, Op. 92 No. 4: I. Allegretto piacevole, animato e flessibile by Ernst Krenek, Glenn Gould to be Allegro (fast, quick, and bright) because the track has a tempo of 147 BPM, a half-time of 74BPM, and a double-time of 294 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jonny spielt auf, op.45 / Scene 3: Sie ist sehr spirituell | Ernst Krenek, Michael Kraus, Alessandra Marc, Krister St. Hill, Leipzig Opernchor, Gewandhausorchester Leipzig, Lothar Zagrosek | E Minor | 1 | 9A | 112 BPM | ||
Der Diktator, Op. 49: Scene 1: Intermezzo | Ernst Krenek, Urban Malmberg, Celina Lindsley, Robert Worle, Gabriele Maria Ronge, Deutsches Symphonie-Orchester Berlin, Marek Janowski | D♭ Minor | 1 | 12A | 168 BPM | ||
Lamento della Ninfa: I. Non havea Febo ancora | Claudio Monteverdi, Ernst Krenek, Hans-Christoph Rademann, RIAS Kammerchor | G Major | 0 | 9B | 80 BPM | ||
Fantasia for Cello & Orchestra, W454: III. Allegro expressivo | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | E♭ Major | 1 | 5B | 133 BPM | ||
Suite No.1 from "Namouna": No. 2, Sérénade. À F. De Sarasate | Édouard Lalo, Estonian National Symphony Orchestra, Neeme Järvi | G Minor | 2 | 6A | 179 BPM | ||
Les Heures persanes (Persian Hours), Op. 65bis: IX. Aubade (Morning Song) | Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger | B♭ Minor | 0 | 3A | 86 BPM | ||
Dutilleux: Sonatine for Flute and Piano: II. Andante espressivo - | Henri Dutilleux, Emmanuel Pahud, Eric Le Sage | B♭ Minor | 1 | 3A | 88 BPM | ||
Respighi: Pines of Rome P. 141: The Pines of Janiculum | Ottorino Respighi, San Francisco Symphony, Esa-Pekka Salonen | B Major | 0 | 1B | 95 BPM | ||
R. CARPIO: Suite Hospital Prelude (Chuquisengo, Piano) | ROBERTO CARPIO, Juan José Chuquisengo | D♭ Major | 3 | 3B | 121 BPM | ||
Scaramouche pour 2 pianos: Vif | Darius Milhaud, Edouard Exerjean, Philippe Corre | E Minor | 1 | 9A | 183 BPM |
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