"Intermedes de Xerxes: 3e Air pour les Docteurs, Frivelins, et Polichinelles" by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon was released on May 4, 1998. With Intermedes de Xerxes: 3e Air pour les Docteurs, Frivelins, et Polichinelles being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jean-Baptiste Lully's "Lully: Ballet Music for the Sun King" album is number 17 out of 35. In terms of popularity, Intermedes de Xerxes: 3e Air pour les Docteurs, Frivelins, et Polichinelles is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Intermedes de Xerxes: 3e Air pour les Docteurs, Frivelins, et Polichinelles by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Laudate pueri Dominum, RV 600: Quis sicut Dominus | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | B Major | 1 | 1B | 142 BPM | ||
Le temps: Air pour l'Este et ses Suivants | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 115 BPM | ||
Concerto Grosso in C Minor, Op. 3, No. 11: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 120 BPM | ||
Concerto a cinque No. 9, Op. 7: I. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | E Major | 4 | 12B | 113 BPM | ||
Sonata in G Major, Op. 2, No. 12 (Ciacona): Ciacona (Largo - Allegro) | Arcangelo Corelli, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock | A Major | 3 | 11B | 68 BPM | ||
Pièces à deux violes du Premier Livre, suite en ré mineur: III. Courante (1686) | Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith | E Major | 1 | 12B | 90 BPM | ||
Cantata No. 196, BWV 196 "Der Herr denket an uns": Sinfonia | Johann Sebastian Bach, Accademia Bizantina, Ottavio Dantone | B Minor | 1 | 10A | 77 BPM | ||
Concerto a cinque No. 11, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | F♯ Minor | 2 | 11A | 65 BPM | ||
Mystery (Rosary) Sonata No. 15, "The Beatification of the Virgin"*: I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | B Major | 0 | 1B | 129 BPM | ||
Armide, LWV 71, Prologue: Ouverture (I) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | B♭ Major | 2 | 6B | 120 BPM |
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