"Mode De Valeurs Et D'intensites" by Olivier Messiaen, Tomoko Yazawa was released on 1950. The duration of Mode De Valeurs Et D'intensites is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Mode De Valeurs Et D'intensites's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Tomoko Yazawa Piano Solo ''Egoist''". In this album, this song's track order is #2. Mode De Valeurs Et D'intensites is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Mode De Valeurs Et D'intensites by Olivier Messiaen, Tomoko Yazawa having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turangalîla-Symphony: I. Introduction. Modéré, un peu vif | Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget | B♭ Minor | 4 | 3A | 148 BPM | ||
Soleils de septembre | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | D Major | 0 | 10B | 71 BPM | ||
Preludes: Cloches d'angoisse et larmes d'adieu (Bells of Anguish and Tears of Farewell) | Olivier Messiaen, Håkon Austbø | B Minor | 0 | 10A | 76 BPM | ||
Sinfonietta No. 2: III. Serenade: Tempo di valse | Krzysztof Penderecki, Artur Pachlewski, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | C Major | 0 | 8B | 88 BPM | ||
4 Pieces, Op. 51 (arr. Rogal-Levitsky): Fragilite, Op. 51, No. 1 | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | E♭ Major | 0 | 5B | 77 BPM | ||
Préludes / Book 1, L.117: 1. Danseuses de Delphes | Claude Debussy, Pierre-Laurent Aimard | F Major | 0 | 7B | 92 BPM | ||
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
7 Papillons: No. 3. — | Kaija Saariaho, Anssi Karttunen | D Major | 1 | 10B | 103 BPM | ||
Violin Concerto (1992): I. Praeludium: Vivacissimo luminoso - attacca: | György Ligeti, Saschko Gawriloff, Ensemble Intercontemporain, Pierre Boulez | G Major | 1 | 9B | 114 BPM | ||
Umi e (Toward the Sea): I - The Night | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | F♯ Major | 0 | 2B | 71 BPM |
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