Bavarian Radio Symphony Orchestra, Werner Schmidt-Boelcke, Mady Rahl, Fritz Rasp, Ernst Fritz Fürbringer, Herbert Ernst Groh, Brigitte Mira, Willy Hofmann, Benno Kusche, Esther Rethy made "Arizona Lady: Act I - " Arizona, dort wo die Sonne glüht "" available on November 24, 2011. With Arizona Lady: Act I - " Arizona, dort wo die Sonne glüht " being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "Kalmann: Arizona Lady" album is number 23 out of 45. Arizona Lady: Act I - " Arizona, dort wo die Sonne glüht " is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Arizona Lady: Act I - " Arizona, dort wo die Sonne glüht " by Bavarian Radio Symphony Orchestra, Werner Schmidt-Boelcke, Mady Rahl, Fritz Rasp, Ernst Fritz Fürbringer, Herbert Ernst Groh, Brigitte Mira, Willy Hofmann, Benno Kusche, Esther Rethy to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in A Minor, Op. 129: I. Nicht zu schnell | Robert Schumann, Yo-Yo Ma, Sir Colin Davis, Bavarian Radio Symphony Orchestra | A Minor | 0 | 8A | 174 BPM | ||
Cello Concerto in A Minor, Op. 129: II. Langsam | Robert Schumann, Yo-Yo Ma, Sir Colin Davis, Bavarian Radio Symphony Orchestra | F Major | 0 | 7B | 86 BPM | ||
Poemes pour Mi, I/17b, Livre 1: No. 1, Action de grâces (Live) | Olivier Messiaen, Jenny Daviet, Bavarian Radio Symphony Orchestra, Kent Nagano | C Minor | 0 | 5A | 123 BPM | ||
Chronochromie, I/43: V. Antistrophe II (Live) | Olivier Messiaen, Bavarian Radio Symphony Orchestra, Kent Nagano | B♭ Minor | 1 | 3A | 76 BPM | ||
Humperdinck : Hänsel und Gretel : Act 1 Hexenritt | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | F Major | 1 | 7B | 93 BPM | ||
Symphony No. 7 in E Minor: IV. Nachtmusik: Andante amoroso | Gustav Mahler, Bavarian Radio Symphony Orchestra, Mariss Jansons | A Major | 1 | 11B | 176 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Mass in B Minor, BWV 232 "Hohe Messe": No. 2 Chorus: Patrem omnipotentem | Johann Sebastian Bach, Carlo Maria Giulini, Bavarian Radio Symphony Orchestra | D Major | 3 | 10B | 156 BPM | ||
Cello Concerto in A Minor, Op. 129: III. Sehr lebhaft | Robert Schumann, Yo-Yo Ma, Sir Colin Davis, Bavarian Radio Symphony Orchestra | C Major | 1 | 8B | 128 BPM | ||
Orchestral Suite No. 1 in C Major, BWV 1066: VI. Bourrées I & II (Live) | Johann Sebastian Bach, Bavarian Radio Symphony Orchestra, Giovanni Antonini | C Major | 2 | 8B | 117 BPM |
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