"Humperdinck : Hänsel und Gretel : Act 1 Hexenritt" by Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra was released on October 1, 1993. With this song being about 5 minutes long, at 4:32, "Humperdinck : Hänsel und Gretel : Act 1 Hexenritt" by Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra's "Humperdinck : Hänsel und Gretel" album is number 11 out of 33. In terms of popularity, Humperdinck : Hänsel und Gretel : Act 1 Hexenritt is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Humperdinck : Hänsel und Gretel : Act 1 Hexenritt by Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petrushka, Tableau I: Tableau I: The Shrovetide Fair | Igor Stravinsky, Bavarian Radio Symphony Orchestra, Mariss Jansons | G Major | 2 | 9B | 82 BPM | ||
Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): I. Az intezett veszedelem (Threatening Danger) | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 0 | 10B | 115 BPM | ||
Symphony No. 5 in B-Flat Major, WAB 105: II. Adagio | Anton Bruckner, Bavarian Radio Symphony Orchestra, Bernard Haitink | D Minor | 0 | 7A | 107 BPM | ||
The Maid of Pskov: Overture | Nikolai Rimsky-Korsakov, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 2 | 3B | 100 BPM | ||
Die Reise um die Erde in 80 Tagen (Version Without Narration): Prelude | Franz von Suppé, Janacek Philharmonic Orchestra, Dario Salvi | F Major | 0 | 7B | 144 BPM | ||
Sweelinck Variations, Op. 56 "Mein junges Leben hat ein End'": Thema. Andante tranquillo | Karl Höller, Bavarian Radio Symphony Orchestra, Eugen Jochum | A Minor | 1 | 8A | 91 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 97, “Rhenish”: III. Nicht schnell | Robert Schumann, Philzuid, Duncan Ward | A♭ Major | 0 | 4B | 91 BPM | ||
Puccini: Suor Angelica: Transizione (Vivamente mosso - Andante molto sostenuto) | Giacomo Puccini, London Voices, London Symphony Orchestra, Tiffin School Boys' Choir, Antonio Pappano, Terry Edwards, Anna Maria Panzarella, Francesca Pedaci, Elena Zilio, Sara Fulgoni, Dorothea Rschmann, Judith Rees, Rachele Stanisci, Felicity Palmer, Deborah, Cristina Gallardo-Domas, Philharmonia Orchestra | G Minor | 0 | 6A | 187 BPM | ||
Symphony No. 3 in D Minor: IV. Sehr langsam. Misterioso | Gustav Mahler, Gerhild Romberger, Bavarian Radio Symphony Orchestra, Bernard Haitink | A Minor | 0 | 8A | 92 BPM | ||
Symphony No. 2 in D Major, Op. 43: III. Vivacissimo (Live) | Jean Sibelius, Bavarian Radio Symphony Orchestra, Mariss Jansons | F♯ Major | 1 | 2B | 77 BPM |
Section: 0.6478252410888672
End: 0.6508629322052002