Orchestral Suite No. 1 in C Major, BWV 1066: VI. Bourrées I & II (Live) - Johann Sebastian Bach, Bavarian Radio Symphony Orchestra, Giovanni Antonini Information

Acousticness: 94%
Danceability: 41%
Energy: 24%
Instrumentalness: 94%
Liveness: 28%
Loudness: 71%
Speechiness: 4%
Valence: 75%
Popularity: 12%
Loudness: -17.626 dB

Summary

Johann Sebastian Bach, Bavarian Radio Symphony Orchestra, Giovanni Antonini made "Orchestral Suite No. 1 in C Major, BWV 1066: VI. Bourrées I & II (Live)" available on February 10, 2023. The duration of Orchestral Suite No. 1 in C Major, BWV 1066: VI. Bourrées I & II (Live) is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Orchestral Suite No. 1 in C Major, BWV 1066: VI. Bourrées I & II (Live)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 7 in Bach: Orchestral Suite No. 1 in C Major, BWV 1066 (Live) by Johann Sebastian Bach, Bavarian Radio Symphony Orchestra, Giovanni Antonini. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Orchestral Suite No. 1 in C Major, BWV 1066: VI. Bourrées I & II (Live) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Orchestral Suite No. 1 in C Major, BWV 1066: VI. Bourrées I & II (Live) BPM

The tempo marking of Orchestral Suite No. 1 in C Major, BWV 1066: VI. Bourrées I & II (Live) by Johann Sebastian Bach, Bavarian Radio Symphony Orchestra, Giovanni Antonini is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.

Orchestral Suite No. 1 in C Major, BWV 1066: VI. Bourrées I & II (Live) Key

This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

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Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124]	Carl Philipp Emanuel Bach, Giovanni Mazzocchin	E♭ Major	1	5B	113 BPM
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro	Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek	G Minor	3	6A	59 BPM
16 Waltzes, Op. 39: No. 15 In A Flat Major	Johannes Brahms, Idil Biret	A♭ Major	0	4B	68 BPM
Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccato	Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger	F♯ Major	0	2B	110 BPM
Concerto for Oboe, Violin, Strings and Continuo in B Flat Major, RV 548: II. Largo	Antonio Vivaldi, David Reichenberg, Simon Standage, The English Concert, Trevor Pinnock	F♯ Minor	0	11A	80 BPM
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847	Daniel Barenboim	C Minor	1	5A	68 BPM

ISRC: DELW72383806
Label: L-M Records/RCA Records

Section: 0.6468563079833984

End: 0.6516623497009277