Robert Schumann, Maria Kliegel, Kristin Merscher's 'Adagio and Allegro, Op. 70: Allegro' came out on February 2, 1993. With this song being about 5 minutes long, at 5:16, "Adagio and Allegro, Op. 70: Allegro" by Robert Schumann, Maria Kliegel, Kristin Merscher is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Schubert: Arpeggione Sonata / Schumann: Fantasiestucke". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Hong Kong. Adagio and Allegro, Op. 70: Allegro is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Adagio and Allegro, Op. 70: Allegro by Robert Schumann, Maria Kliegel, Kristin Merscher having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Five Pieces For Two Violins and Piano: II. Gavotte | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | A Major | 1 | 11B | 82 BPM | ||
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
Prokofiev: Piano Concerto No. 2 in G Minor, Op. 16: III. Intermezzo (Allegro moderato) | Sergei Prokofiev, Evgeny Kissin, Vladimir Ashkenazy, Philharmonia Orchestra | C Major | 2 | 8B | 103 BPM | ||
Spanische Liebeslieder, Op. 138: 3. O wie lieblich ist das Mädchen | Robert Schumann, Emanuel Geibel, Martin Mitterrutzner, Gerold Huber, James Cheung | B♭ Major | 1 | 6B | 112 BPM | ||
Piano Sonata No.1 in F minor, Op.6: 3. Presto | Alexander Scriabin, Vladimir Ashkenazy | A♭ Major | 1 | 4B | 135 BPM | ||
Lieder ohne Worte, Op.38: No. 6. Andante Con Moto In A Flat, MWV U 119 - "Duetto" | Felix Mendelssohn, Daniel Barenboim | A♭ Major | 0 | 4B | 75 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Kinderszenen, Op.15: 5. Glückes genug | Robert Schumann, Martha Argerich | G Major | 1 | 9B | 88 BPM | ||
Lyric Pieces, Op. 38: VIII. Kanon - Allegretto con moto | Edvard Grieg, Javier Perianes | E♭ Minor | 0 | 2A | 82 BPM | ||
Brahms: 4 Ballades, Op. 10: No. 3 in B Minor | Johannes Brahms, Nicholas Angelich | F Major | 1 | 7B | 92 BPM |
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