"Frauenliebe und -leben Op. 42: 6. Süsser Freund, du blickest mich verwundert an" by Robert Schumann, Jessye Norman, Irwin Gage was released on December 1, 1976. With this song being about 5 minutes long, at 5:16, "Frauenliebe und -leben Op. 42: 6. Süsser Freund, du blickest mich verwundert an" by Robert Schumann, Jessye Norman, Irwin Gage is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 20 in the song's album "Schumann: Frauenliebe und -leben; Liederkreis, Op.39". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Netherlands. Frauenliebe und -leben Op. 42: 6. Süsser Freund, du blickest mich verwundert an is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Frauenliebe und -leben Op. 42: 6. Süsser Freund, du blickest mich verwundert an by Robert Schumann, Jessye Norman, Irwin Gage having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Pieces for cello and piano: No. 1. Modere | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | E♭ Minor | 0 | 2A | 87 BPM | ||
Schumann: 12 Gedichte aus Friedrich Rückerts "Liebesfrühling", Op. 37: No. 1, Der Himmel hat eine Thräne geweint (Einfach) | Clara Schumann, Friedrich Rückert, Robert Schumann, Erik Werba | A♭ Major | 1 | 4B | 81 BPM | ||
Prelude in G Major | Víkingur Ólafsson | G Major | 0 | 9B | 102 BPM | ||
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Serse, HWV 40: Ombra mai fu (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | A♭ Major | 0 | 4B | 70 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino | Aram Khachaturian, Alexandre Tharaud | A♭ Major | 0 | 4B | 90 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM |
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