Silvius Leopold Weiss, Michel Cardin made "Sonata No. 2 in D Major, WeissSW 2: IV. Bourée" available on January 1, 2015. With Sonata No. 2 in D Major, WeissSW 2: IV. Bourée being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weiss: The Complete London Manuscript by Silvius Leopold Weiss, Michel Cardin. The song's track number on the album is #11 out of 231 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. The popularity of Sonata No. 2 in D Major, WeissSW 2: IV. Bourée is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Sonata No. 2 in D Major, WeissSW 2: IV. Bourée by Silvius Leopold Weiss, Michel Cardin has a tempo of 179 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Sonata No. 2 in D Major, WeissSW 2: IV. Bourée being at 179 BPM, the half-time would be 90 BPM with a double-time of 358 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia in D Major | David Kellner, Alberto Crugnola | D♭ Major | 1 | 3B | 93 BPM | ||
Concerto For Lute, 2 Violins And Continuo In D, RV 93 - arr. for 4 guitars: 2. Largo | Antonio Vivaldi, Angel Romero, Celedonio Romero, Celin Romero, Pepe Romero | D Major | 0 | 10B | 114 BPM | ||
Sonatina for Flute & Guitar, Op. 205: I. Allegretto grazioso | Mario Castelnuovo-Tedesco, Irene Kalisvaart, Britta Jacobs | C Major | 1 | 8B | 118 BPM | ||
Ayres for the Violin (arr. for guitar): Aria I | Nicola Matteis, Pierre Pitzl | B Minor | 2 | 10A | 86 BPM | ||
Les castagnettes: Canaries | Jacques Gallot, Simone Vallerotonda | B♭ Major | 1 | 6B | 148 BPM | ||
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Jonas Nordberg | F Major | 0 | 7B | 115 BPM | ||
Whitehall Minuet: Whitehall Minuet | John Playford, Wolfgang Katschner, Lautten Compagney | D♭ Minor | 2 | 12A | 105 BPM | ||
Dowland's Tears (arr. N. North of I Saw My Lady Weep) | Nigel North | F♯ Minor | 0 | 11A | 106 BPM | ||
Arpeggiata (Prelude) | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 133 BPM | ||
La Princesse Sarabande | Charles Mouton, Toyohiko Satoh | D♭ Minor | 2 | 12A | 120 BPM |
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