- BPM
- 70
- Key
- A Major
- Camelot
- 11B
Magnificat in B flat major: Gloria Patri - Francesco Durante, Thomas Hengelbrock Information
- Acousticness
- 97%
- Danceability
- 12%
- Energy
- 15%
- Instrumentalness
- 40%
- Liveness
- 11%
- Loudness
- 72%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 12%
- Loudness
- -16.763 dB
Summary
"Magnificat in B flat major: Gloria Patri" by Francesco Durante, Thomas Hengelbrock was released on August 16, 1996. With Magnificat in B flat major: Gloria Patri being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 7 out of 25 in Durante, Astorga, Pergolesi / Sacred Works by Thomas Hengelbrock. Magnificat in B flat major: Gloria Patri is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Magnificat in B flat major: Gloria Patri BPM
The tempo marking of Magnificat in B flat major: Gloria Patri by Francesco Durante, Thomas Hengelbrock is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
Magnificat in B flat major: Gloria Patri Key
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Dixit Dominus, ZWV 66: Judicabit - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Minor | 3 | 11A | 121 BPM | |
 | L'Olimpiade: Consola il genitore - From "L'Olimpiade" | Johann Adolf Hasse, Simone Kermes | C Major | 0 | 8B | 87 BPM | |
 | Mass No. 2 in G Major, D. 167: Gloria: Gloria in excelsis Deo | Franz Schubert, Claudia Reinhard, Rüdiger Ballhorn, Markus Flaig, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | |
 | Artasere, Act III Scene 1: Aria "Son qual nave ch'agitata" (Arbace) | Riccardo Broschi, Ann Hallenberg, Les Talens Lyriques, Christophe Rousset | G Minor | 0 | 6A | 172 BPM | |
 | Come, Ye Sons of Art Away, Z. 323: 3. Sound The Trumpet, Sound | Henry Purcell, Michael Chance, Timothy Wilson, Trevor Pinnock, The English Concert | D♭ Major | 2 | 3B | 85 BPM | |
 | Magnificat a 4 in C Minor (arr. N. Heine) | Francesco Durante, Nicola Heine, Roberta Mameli, Ursula Eittinger, Andreas Post, Stephan MacLeod, Kölner Akademie, Michael Alexander Willens | B Minor | 1 | 10A | 135 BPM | |
 | Orfeo ed Euridice: Act I, Scene 1, Coro: Ah, se intorno a quest'urna funesta | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | F Minor | 1 | 4A | 80 BPM | |
 | Coffee Cantata, BWV 211: Aria: Heute noch | Johann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon, Suzie LeBlanc, Nils Brown, Brett Polegato | F♯ Major | 1 | 2B | 120 BPM | |
 | Magnificat in B flat major: Suscepit Israel | Francesco Durante, Hermann Oswald, Ekkehard Abele, Thomas Hengelbrock | B Major | 0 | 1B | 105 BPM | |
| Litania della Beata Maria Vergine in F Minor (arr. M.A. Willens): Agnus Dei | Francesco Durante, Michael Alexander Willens, Roberta Mameli, Ursula Eittinger, Andreas Post, Stephan MacLeod, Kölner Akademie | E♭ Major | 1 | 5B | 110 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.3422279357910156
End: 1.3457744121551514