"Cantata sopra il passacaglio (Diatonica)" by L'Arpeggiata, Christina Pluhar, Gianluigi Trovesi was released on 2003. Since Cantata sopra il passacaglio (Diatonica) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 15 out of 15 in All' Improvviso: Ciaccone, Bergamasche, & un po' di Follie... by Christina Pluhar, L'Arpeggiata. Based on our statistics, Cantata sopra il passacaglio (Diatonica)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cantata sopra il passacaglio (Diatonica) by L'Arpeggiata, Christina Pluhar, Gianluigi Trovesi is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonate, arie et correnti, Op.3, RISM A/I: U 14: Aria quinta sopra la Bergamasca | Marco Uccellini, Dorothee Oberlinger, Dmitry Sinkovsky | D Major | 2 | 10B | 139 BPM | ||
Moulinié / Arr. Pluhar: Concert des différents oyseaux | Étienne Moulinié, Christina Pluhar, L'Arpeggiata, Philippe Jaroussky | F Major | 1 | 7B | 123 BPM | ||
La biondina in gondoleta | Traditional Venetian, Avi Avital, Juan Diego Flórez, Ivano Zanenghi, Daniele Bovo, Lorenzo Feder, Fabio Tricomi | G Major | 1 | 9B | 139 BPM | ||
Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture | Jean-Baptiste Lully, Gustav Leonhardt, La Petite Bande | F♯ Minor | 1 | 11A | 106 BPM | ||
La Giuditta: Dormi o fulmine | Alessandro Scarlatti, Filippo Mineccia, Nereydas, Javier Ulises Illán | D Major | 0 | 10B | 63 BPM | ||
Terpsichore*: Bransle Double 3 | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 77 BPM | ||
Passacaglia della vita | Stefano Landi, Ed Lyon, Theatre of the Ayre, Elizabeth Kenny | A♭ Minor | 3 | 1A | 122 BPM | ||
Passamezzo moderno: Recercada secunda | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | B Major | 3 | 1B | 121 BPM | ||
Se laura spira (Folia) | L'Arpeggiata, Christina Pluhar, Marco Beasley | G Minor | 2 | 6A | 87 BPM | ||
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea) | Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar | G Major | 1 | 9B | 77 BPM |
Section: 0.5504238605499268
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