Manuel de Falla, Rafael Frühbeck de Burgos/Victoria de los Angeles/Philharmonia Orchestra, Rafael Frühbeck de Burgos, Philharmonia Orchestra's 'El sombrero de tres picos (2001 Digital Remaster), Part One - Afternoon: Las uvas' came out on July 1, 1999. The duration of El sombrero de tres picos (2001 Digital Remaster), Part One - Afternoon: Las uvas is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. El sombrero de tres picos (2001 Digital Remaster), Part One - Afternoon: Las uvas's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Manuel de Falla, Victoria de los Ángeles's "Manuel de Falla:La Vida Breve/El sombrero de tres picos etc" album is number 8 out of 65. Based on our statistics, El sombrero de tres picos (2001 Digital Remaster), Part One - Afternoon: Las uvas's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of El sombrero de tres picos (2001 Digital Remaster), Part One - Afternoon: Las uvas by Manuel de Falla, Rafael Frühbeck de Burgos/Victoria de los Angeles/Philharmonia Orchestra, Rafael Frühbeck de Burgos, Philharmonia Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
Piano Quartet in E Flat Major, Op.47: Piano Quartet in E Flat Major, Op.47: III. Andante cantabile | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | B♭ Major | 0 | 6B | 74 BPM | ||
7 Canciones populares españolas (arr. P. Kochanski): No. 7. Polo | Paul Kochanski, Manuel de Falla, Jesus Angel Leon, Miguel Angel Muñoz | A Minor | 2 | 8A | 79 BPM | ||
3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
Siete canciones populares españolas: No. 5 Nana | Manuel de Falla, Amy Dickson | A Major | 0 | 11B | 69 BPM | ||
Nisi Dominus, RV 608: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
7 Canciones populares espanolas (arr. P. Kochanski for violin and piano): Jota | Paul Kochanski, Manuel de Falla, Robert Koenig, Si-Qing Lu | E Major | 1 | 12B | 137 BPM | ||
Orpheus' Klage (Orfeo ed Euridice) | Christoph Willibald Gluck, Wilhelm Kempff, Matti Raekallio | D Minor | 0 | 7A | 69 BPM |
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