Pietro Mascagni, Pablo Elvira, James Levine's 'Cavalleria rusticana: Act I: Il cavallo scalpita' came out on 1979. The duration of Cavalleria rusticana: Act I: Il cavallo scalpita is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Cavalleria rusticana: Act I: Il cavallo scalpita's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Pietro Mascagni, James Levine's "Mascagni: Cavalleria Rusticana - The Sony Opera House" album is number 5 out of 21. Based on our statistics, Cavalleria rusticana: Act I: Il cavallo scalpita's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Cavalleria rusticana: Act I: Il cavallo scalpita by Pietro Mascagni, Pablo Elvira, James Levine to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Serse (Xerxes), Hwv 40 (arr. for oboe and orchestra): Act I: Ombra mai fu, "largo" | George Frideric Handel, Jozef Cejka, Capella Istropolitana, Richard Edlinger | F Major | 1 | 7B | 88 BPM | ||
Carmina Burana / III. Cour d'amours: "In trutina" | Carl Orff, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum | G Major | 0 | 9B | 89 BPM | ||
Cavalleria rusticana: "Oh! Il Signore vi manda" (Duetto) | Pietro Mascagni, Julia Varady, Piero Cappuccilli, National Philharmonic Orchestra, Gianandrea Gavazzeni | D♭ Major | 2 | 3B | 64 BPM | ||
Pachelbel: Canon and Gigue for Three Violins and Continuo in D Major: Canon | Johann Pachelbel, János Rolla, Franz Liszt Chamber Orchestra | E Minor | 4 | 9A | 172 BPM | ||
Cavalleria Rusticana: Scena, Santuzza e Lucia e sortita di Alfio | Pietro Mascagni, Balthasar Neumann Orchestra, Thomas Hengelbrock, Carolina López Moreno, Elisabetta Fiorillo, Domen Krizaj, Balthasar Neumann Choir | E♭ Major | 1 | 5B | 76 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Major | 1 | 7B | 95 BPM | ||
Handel: Rinaldo, HWV 7, Act 2: "Lascia ch'io pianga" (Almirena) | George Frideric Handel, Joyce DiDonato, Maxim Emelyanychev, Il Pomo D'oro | B Major | 4 | 1B | 129 BPM |
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