RTE Concert Orchestra's 'Come Dance With Me in Ireland' came out on 2003. The duration of Come Dance With Me in Ireland is about 3 minutes long, at 3:25. Based on our data, "Come Dance With Me in Ireland" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Spirit of Ireland". In this album, this song's track order is #7. In terms of popularity, Come Dance With Me in Ireland is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Come Dance With Me in Ireland by RTE Concert Orchestra having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brideshead Revisited Variations: Theme | Geoffrey Burgon, Adelaide Symphony Orchestra, José Serebrier | C Major | 3 | 8B | 114 BPM | ||
Les contes d'Hoffmann, Op. 67: Belle nuit, ô nuit d'amour "Barcarolle" | Jacques Offenbach, Andre Kostelanetz, New York Philharmonic | D Major | 2 | 10B | 150 BPM | ||
Myfanwy | Treorchy Male Voice Choir, The Jonathan Price String Ensemble | D Major | 0 | 10B | 135 BPM | ||
Coastal Command Suite: Dawn Patrol('Quiet Determination') | RTE Concert Orchestra, Ralph Vaughan Williams | E♭ Major | 2 | 5B | 63 BPM | ||
Fantasia on British Sea Songs (excerpts): III. Jack's the Lad | Sir Henry Wood, Leeds Festival Chorus, English Northern Philharmonia, Paul Daniel | A Major | 1 | 11B | 145 BPM | ||
Slovak Suite, Op. 32: I. In the Church. Andante | Vítězslav Novák, Prague Philharmonia, Jiří Bělohlávek | G Major | 1 | 9B | 73 BPM | ||
Bach, JS: Wachet auf, ruft uns die Stimme, BWV 140: No. 4, Choral. "Zion hört die Wächter singen" | Johann Sebastian Bach, Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor | E♭ Major | 1 | 5B | 66 BPM | ||
Widor : Toccata in F major | Charles-Marie Widor, Kalevi Kiviniemi | F Major | 3 | 7B | 62 BPM | ||
Les Contes d'Hoffmann, in A Major Act 3 - "Barcarolle Belle nuit, o nuit d'amour" | Nederica Stepan | D Major | 1 | 10B | 92 BPM | ||
Fantasia on British Sea Songs (excerpts): V. Home Sweet Home | Sir Henry Wood, Leeds Festival Chorus, English Northern Philharmonia, Paul Daniel | B♭ Major | 0 | 6B | 72 BPM |
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