"Messe basse: III. Benedictus" by Gabriel Fauré, Henriette Schellenberg, Laverne G'Froerer, Keith Boldt, George Roberts, Vancouver Chamber Choir, CBC Vancouver Orchestra, Jon Washburn was released on January 1, 2008. The duration of Messe basse: III. Benedictus is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Messe basse: III. Benedictus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Henriette Schellenberg's "Missa Brevis" album is number 11 out of 18. On top of that, Canada appears to be the country where this track was created. Messe basse: III. Benedictus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messe basse: III. Benedictus by Gabriel Fauré, Henriette Schellenberg, Laverne G'Froerer, Keith Boldt, George Roberts, Vancouver Chamber Choir, CBC Vancouver Orchestra, Jon Washburn to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | ||
Requiem, Op. 48: V. Pie Jesus | Gabriel Fauré, Christiane Oelze, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | B♭ Major | 0 | 6B | 79 BPM | ||
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia | Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi | E♭ Major | 2 | 5B | 49 BPM | ||
Violin Sonata No. 2 In E Minor, Op. 108: II. Andante | Gabriel Fauré, Pascal Devoyon, Dong-Suk Kang | A Major | 2 | 11B | 89 BPM | ||
Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | ||
Nocturne in B Flat Major, H. 37 (Version for Harp) | John Field, Magdalena Hoffmann | B♭ Major | 1 | 6B | 97 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
Masques et bergamasques Suite, Op. 112: III. Gavotte | Gabriel Fauré, RTE Sinfonietta, John Georgiadis | D Minor | 0 | 7A | 70 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM |
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