Robert Schumann, Luca Ballerini's 'Carnaval, Op. 9 "Scènes mignonnes sur quatre notes": No. 2 in E-Flat Major, Pierrot - Moderato' came out on February 25, 2022. The duration of Carnaval, Op. 9 "Scènes mignonnes sur quatre notes": No. 2 in E-Flat Major, Pierrot - Moderato is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Carnaval, Op. 9 "Scènes mignonnes sur quatre notes": No. 2 in E-Flat Major, Pierrot - Moderato's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Schumann: Concert sans Orchestre Op.14 (Manuscript Version 1836), Carnaval Op. 9". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Italy. In terms of popularity, Carnaval, Op. 9 "Scènes mignonnes sur quatre notes": No. 2 in E-Flat Major, Pierrot - Moderato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carnaval, Op. 9 "Scènes mignonnes sur quatre notes": No. 2 in E-Flat Major, Pierrot - Moderato by Robert Schumann, Luca Ballerini having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
24 Preludes, Op. 11: No. 4 in E Minor | Alexander Scriabin, Evgeny Zarafiants | F Major | 1 | 7B | 99 BPM | ||
Deux Arabesques, L66: No. 1: Andantino con moto | Claude Debussy, Kathryn Stott | E Major | 0 | 12B | 73 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Berceuse, Op. 16 | Gabriel Fauré, Cocomi, Niu Niu | A Minor | 1 | 8A | 129 BPM | ||
The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) | Camille Saint-Saëns, Yo-Yo Ma, Kathryn Stott | G Major | 0 | 9B | 66 BPM | ||
Gypsy Songs, Op. 55, B. 104: No. 4, Songs My Mother Taught Me (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | A Minor | 0 | 8A | 108 BPM | ||
Die Nacht (Arr. for Cello and Guitar by Anja Lechner and Pablo Márquez) | Franz Schubert, Anja Lechner, Pablo Marquez | G Major | 0 | 9B | 85 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM |
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