"Rückert Lieder: Ich atmet' einen linden Duft" by Kathleen Ferrier, Vienna Philharmonic Orchestra, Bruno Walter was released on September 14, 2010. The duration of Rückert Lieder: Ich atmet' einen linden Duft is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Rückert Lieder: Ich atmet' einen linden Duft's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Kathleen Ferrier sings Mahler" album is number 2 out of 9. On top of that, United States appears to be the country where this track was created. Rückert Lieder: Ich atmet' einen linden Duft is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rückert Lieder: Ich atmet' einen linden Duft by Kathleen Ferrier, Vienna Philharmonic Orchestra, Bruno Walter to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
Amore e morte | Gaetano Donizetti, Cecilia Bartoli, James Levine | F Minor | 0 | 4A | 81 BPM | ||
Verdi: Otello, Act 4: "Ave Maria" (Desdemona) | Giuseppe Verdi, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | A♭ Major | 1 | 4B | 88 BPM | ||
Lehár: Die lustige Witwe, Act 2: Vilja-Lied (Hanna) | Franz Lehár, Karita Mattila, London Philharmonic Orchestra, Yutaka Sado | G Major | 1 | 9B | 176 BPM | ||
Requiem, Op.48: 4. Pie Jesu (I) | Gabriel Fauré, Catherine Bott, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | B♭ Major | 0 | 6B | 72 BPM | ||
St. Matthew Passion, BWV 244 (Sung in English): Part I: Recitative: And He answered (Judas, Jesus, Evangelist) | Johann Sebastian Bach, Ivor Atkins, Edward Elgar, Elsie Suddaby, Kathleen Ferrier, Eric Greene, Henry Cummings, William Parsons, Bruce Boyce, Gordon Clinton, The Bach Choir, Thornton Lofthouse, Osborne Peasgood, Jacques Orchestra, The, Reginald Jacques | B Minor | 2 | 10A | 86 BPM | ||
Chanson d'Amour, Opus 27, No. 1 | Gabriel Fauré, Barbara Bonney, Warren Jones | F♯ Major | 1 | 2B | 81 BPM | ||
Rusalka, Op. 114, B.203 / Act 1: Mesicku na nebi hlubokém | Antonín Dvořák, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F♯ Major | 1 | 2B | 87 BPM | ||
I Know Where I'm Going | Kathleen Ferrier, Phyllis Spurr | F♯ Minor | 0 | 11A | 157 BPM | ||
Widmung No. 1, Op. 25 [Rückert] | Robert Schumann, John Newmark, Kathleen Ferrier | F♯ Major | 1 | 2B | 104 BPM |
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