Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer's 'Il barbiere di Siviglia (The Barber of Seville): Act III: Quintet: Don Basilio! Giusto cielo! (Rosina, Count Almviva, Figaro, Bartolo, Basilio)' came out on July 15, 2014. Il barbiere di Siviglia (The Barber of Seville): Act III: Quintet: Don Basilio! Giusto cielo! (Rosina, Count Almviva, Figaro, Bartolo, Basilio) appears to be safe for all ages as it is not explicit. There are a total of 32 in the song's album "Paisiello: Barbiere Di Siviglia (Il)". In this album, this song's track order is #7. Il barbiere di Siviglia (The Barber of Seville): Act III: Quintet: Don Basilio! Giusto cielo! (Rosina, Count Almviva, Figaro, Bartolo, Basilio) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Il barbiere di Siviglia (The Barber of Seville): Act III: Quintet: Don Basilio! Giusto cielo! (Rosina, Count Almviva, Figaro, Bartolo, Basilio) by Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 versioni originali della "Ritirata notturna di Madrid", G. 453, No. 4 di Luigi Boccherini (Transcribed for Orchestra) | Sinfonieorchester Basel | C Major | 2 | 8B | 133 BPM | ||
Der Fischer und das Milchmädchen: VII. Allegretto galante | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Piano Concerto No. 4 in G Minor: III. (Rondo): Allegretto | Giovanni Paisiello, Francesco Nicolosi, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | G Minor | 2 | 6A | 112 BPM | ||
Piano Concerto in A Minor, Op. 7: Finale: Allegro non troppo - Allegro molto | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | A Minor | 2 | 8A | 108 BPM | ||
Water Music Suite No. 3 in G Major, HWV 350: Menuet & Trio | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 118 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Symphonie concertante in D Major, "Mirza": I. Allegro | Francois-Joseph Gossec, Martin Sandhoff, Andrea Keller, Concerto Köln | D Major | 1 | 10B | 161 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 135 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM | ||
Symphony No. 51 in D Major: I. Allegro | Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd | D Major | 1 | 10B | 77 BPM |
Section: 0.6015219688415527
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