Georg Philipp Telemann, Fabian Kelly, Julia Grutzka, Larissa Botos, Hans Christoph Begemann, Neumeyer Consort, Felix Koch's 'Wer ist der, so von Edom kömmt, TWV 1:1585: I. Wer ist der, so von Edom kömmt' came out on January 14, 2022. Wer ist der, so von Edom kömmt, TWV 1:1585: I. Wer ist der, so von Edom kömmt is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. The song is number 27 out of 64 in Französischer Jahrgang, Vol. 1 by Georg Philipp Telemann, Neumeyer Consort, Felix Koch. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Wer ist der, so von Edom kömmt, TWV 1:1585: I. Wer ist der, so von Edom kömmt is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wer ist der, so von Edom kömmt, TWV 1:1585: I. Wer ist der, so von Edom kömmt by Georg Philipp Telemann, Fabian Kelly, Julia Grutzka, Larissa Botos, Hans Christoph Begemann, Neumeyer Consort, Felix Koch is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Musique de table, Part III: Oboe Sonata in G Minor, TWV 41:g6: II. Presto: Tempo giusto | Georg Philipp Telemann, Heather Foxwell, Orchestra of the Golden Age | G Major | 0 | 9B | 119 BPM | ||
Sinfonia Nо. 1 in re maggiore (Il martirio di San Tenrenziano): V. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | F Major | 5 | 7B | 107 BPM | ||
Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12: No. 20, Chiaccona | Tarquinio Merula, London Baroque | B Major | 3 | 1B | 168 BPM | ||
Bach, CPE: Flute Concerto in A Minor, Wq. 166: I. Allegro assai | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | A Minor | 2 | 8A | 87 BPM | ||
Sonata No. 4 in E Minor: II. Fuga Allegro | Johann Friedrich Meister, Musica Antiqua Köln | E♭ Minor | 4 | 2A | 103 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Anna Holbling, Quido Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 1 | 5A | 92 BPM | ||
Partie 5 en si bémol majeur: Gavotte - Variatio | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | A Major | 2 | 11B | 125 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Telemann: Nouveaux quatuors "Paris Quartets", No. 2 in A Minor, TWV 43:a2: III. Légèrement | Georg Philipp Telemann, Frans Brüggen, Jaap Schröder, Anner Bylsma, Gustav Leonhardt | E Major | 1 | 12B | 113 BPM |
Section: 0.6018068790435791
End: 0.6057047843933105