Sir Thomas Beecham, Victoria de los Ángeles, Orchestra National de la Radiodiffusion Francaise's 'Carmen (2000 Digital Remaster): Récit & Habanera: Quand je vous aimerai?...L'amour est un oiseau rebelle' came out on 2004. With this song being about 5 minutes long, at 4:35, "Carmen (2000 Digital Remaster): Récit & Habanera: Quand je vous aimerai?...L'amour est un oiseau rebelle" by Sir Thomas Beecham, Victoria de los Ángeles, Orchestra National de la Radiodiffusion Francaise is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 100 Best Opera Classics, so we believe that "Carmen (2000 Digital Remaster): Récit & Habanera: Quand je vous aimerai?...L'amour est un oiseau rebelle" is a single. In terms of popularity, Carmen (2000 Digital Remaster): Récit & Habanera: Quand je vous aimerai?...L'amour est un oiseau rebelle is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen (2000 Digital Remaster): Récit & Habanera: Quand je vous aimerai?...L'amour est un oiseau rebelle by Sir Thomas Beecham, Victoria de los Ángeles, Orchestra National de la Radiodiffusion Francaise is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grieg: Peer Gynt, Op. 23, Act 3: The Death of Åse | Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 0 | 9B | 87 BPM | ||
"Hamlet" - music from the film: In the Garden | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | G Major | 0 | 9B | 140 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Symphony No. 7 in A major, Op. 92: III. Presto | Nicolaus Esterhazy Sinfonia | D Major | 1 | 10B | 93 BPM | ||
6 Moments musicaux, Op. 94, D. 780: II. Andantino, A-Flat Major | Franz Schubert, Jenő Jandó | C Major | 2 | 8B | 79 BPM | ||
Sibelius: Symphony No. 7 in C Major, Op. 105: I. Adagio | Jean Sibelius, Royal Philharmonic Orchestra, Sir Thomas Beecham | C Major | 2 | 8B | 75 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Messiah, HWV 56: Part II, Scene 1: Thy rebuke hath broken his Heart | George Frideric Handel, Sir Thomas Beecham, Jon Vickers | A♭ Major | 1 | 4B | 178 BPM | ||
Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM |
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