Jean-Baptiste Lully, Le Poème Harmonique, Capella Cracoviensis, Vincent Dumestre, Reinoud Van Mechelen, Benoît Arnould made "Te deum, LWV 55: X. In te Domine speravi - Live Recording at La Chapelle Royale du Château de Versailles" available on January 1, 2014. The duration of Te deum, LWV 55: X. In te Domine speravi - Live Recording at La Chapelle Royale du Château de Versailles is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Te deum, LWV 55: X. In te Domine speravi - Live Recording at La Chapelle Royale du Château de Versailles's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 21 in Charpentier & Lully: Te Deum (Live Recording at La Chapelle Royale du Château de Versailles) by Le Poème Harmonique, Capella Cracoviensis, Vincent Dumestre. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Te deum, LWV 55: X. In te Domine speravi - Live Recording at La Chapelle Royale du Château de Versailles is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Te deum, LWV 55: X. In te Domine speravi - Live Recording at La Chapelle Royale du Château de Versailles by Jean-Baptiste Lully, Le Poème Harmonique, Capella Cracoviensis, Vincent Dumestre, Reinoud Van Mechelen, Benoît Arnould is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Triumphe de L'Amour (1681): Prélude pour la nuit | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | D♭ Minor | 0 | 12A | 127 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : III. Grave | Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Anna Holbling, Quido Holbling, Capella Istropolitana | F Minor | 1 | 4A | 108 BPM | ||
Couplets de folies (Arr. Horsch for Recorder & Lute) | Marin Marais, Lucie Horsch, Thomas Dunford | E♭ Minor | 1 | 2A | 84 BPM | ||
Stabat Mater: VI. Fac me tecum | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Dido and Aeneas, Z. 626: Overture | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | B Minor | 2 | 10A | 91 BPM | ||
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: III. [Passacaglia] | Dietrich Buxtehude, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Wonner | A♭ Minor | 3 | 1A | 73 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Rigaudons I, II & Double | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 3 | 12B | 106 BPM | ||
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Margaret Marshall, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | A♭ Major | 1 | 4B | 105 BPM |
Section: 0.7660543918609619
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