"Mozart: Don Giovanni, K. 527, Act 1 Scene 19: "Protegge il giusto cielo" (Donna Anna, Don Ottavio, Donna Elvira)" by Wolfgang Amadeus Mozart, Carlo Maria Giulini, Philharmonia Orchestra was released on 1997. The duration of Mozart: Don Giovanni, K. 527, Act 1 Scene 19: "Protegge il giusto cielo" (Donna Anna, Don Ottavio, Donna Elvira) is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Mozart: Don Giovanni, K. 527, Act 1 Scene 19: "Protegge il giusto cielo" (Donna Anna, Don Ottavio, Donna Elvira)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Carlo Maria Giulini's "Mozart - Don Giovanni" album is number 7 out of 72. On top of that, United Kingdom appears to be the country where this track was created. Mozart: Don Giovanni, K. 527, Act 1 Scene 19: "Protegge il giusto cielo" (Donna Anna, Don Ottavio, Donna Elvira) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 1 Scene 19: "Protegge il giusto cielo" (Donna Anna, Don Ottavio, Donna Elvira) by Wolfgang Amadeus Mozart, Carlo Maria Giulini, Philharmonia Orchestra to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Piano Sonata No. 13 In B Flat Major, K. 333: I. Allegro | Jenő Jandó, Wolfgang Amadeus Mozart | B♭ Major | 1 | 6B | 127 BPM | ||
CPE Bach: Solfegietto in C Minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Georges Pludermacher | F Minor | 1 | 4A | 143 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Hungarian Dance No. 1 in G Minor, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 142 BPM | ||
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Der Stein der Weisen, Act II: Fort, armer Jüngling | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Sharon Baker, Paul Austin Kelly | E♭ Major | 1 | 5B | 106 BPM | ||
Oboe Concerto in C: 3. Siciliana | Domenico Cimarosa, Heinz Holliger, I Musici | A Minor | 1 | 8A | 84 BPM |
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