Die Kunst der Fuge, BWV 1080 - Arr. for Chamber Orchestra: 1. Contrapunctus 1
Johann Sebastian Bach, Accademia Bizantina, Ottavio Dantone
Bach for the Great Outdoors
2:57 June 8, 2021
BPM
114
Key
D♭ Minor
Camelot
12A

Embed

Share Link

Die Kunst der Fuge, BWV 1080 - Arr. for Chamber Orchestra: 1. Contrapunctus 1 - Johann Sebastian Bach, Accademia Bizantina, Ottavio Dantone Information

Acousticness
95%
Danceability
23%
Energy
9%
Instrumentalness
24%
Liveness
11%
Loudness
71%
Speechiness
4%
Valence
14%
Popularity
Loudness
-17.378 dB

Summary

"Die Kunst der Fuge, BWV 1080 - Arr. for Chamber Orchestra: 1. Contrapunctus 1" by Johann Sebastian Bach, Accademia Bizantina, Ottavio Dantone was released on June 8, 2021. The duration of Die Kunst der Fuge, BWV 1080 - Arr. for Chamber Orchestra: 1. Contrapunctus 1 is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Die Kunst der Fuge, BWV 1080 - Arr. for Chamber Orchestra: 1. Contrapunctus 1's duration is considered a little bit shorter than the average duration of a typical track. The song is number 150 out of 160 in Bach for the Great Outdoors by Johann Sebastian Bach. In terms of popularity, Die Kunst der Fuge, BWV 1080 - Arr. for Chamber Orchestra: 1. Contrapunctus 1 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Die Kunst der Fuge, BWV 1080 - Arr. for Chamber Orchestra: 1. Contrapunctus 1 BPM

The tempo marking of Die Kunst der Fuge, BWV 1080 - Arr. for Chamber Orchestra: 1. Contrapunctus 1 by Johann Sebastian Bach, Accademia Bizantina, Ottavio Dantone is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.

Die Kunst der Fuge, BWV 1080 - Arr. for Chamber Orchestra: 1. Contrapunctus 1 Key

This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen by Robert Schumann, Martha ArgerichKinderszenen, Op.15: 1. Von fremden Ländern und MenschenRobert Schumann, Martha ArgerichG Major09B128 BPM
Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060: 2. Adagio (performed on two pianos) by Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida ThompsonConcerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060: 2. Adagio (performed on two pianos)Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida ThompsonC Minor05A82 BPM
Handel: Harpsichord Suite No. 5 in E Major, HWV 430: IV. Air con Variazioni, Handel: Harpsichord Suite No. 5 in E Major, HWV 430: IV. Air con Variazioni, "The Harmonious Blacksmith" (from "Suites de Pièces pour le Clavecin I", 1720) - 1996 Digital RemasterGeorge Frideric Handel, Sviatoslav RichterE Major012B144 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) by Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsHaydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten)Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsC Major18B68 BPM
Lo frate 'nnamorato: II. Andante by Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo AmatoLo frate 'nnamorato: II. AndanteGiovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo AmatoE Minor59A165 BPM
Bach, JS: Concerto for Three Pianos in C Major, BWV 1064: I. Allegro by Johann Sebastian Bach, Jean-Pierre Wallez, Gabriel Tacchino, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de ParisBach, JS: Concerto for Three Pianos in C Major, BWV 1064: I. AllegroJohann Sebastian Bach, Jean-Pierre Wallez, Gabriel Tacchino, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de ParisC Major28B83 BPM
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 by Janos Sebestyen, Johann Sebastian BachPrelude In D Major, BWV 925 : Prelude In D Major, BWV 925Janos Sebestyen, Johann Sebastian BachD Major310B139 BPM
Cello Concerto No. 1 In C Major, G. 477: II. Largo by Tim Hugh, Scottish Chamber Orchestra, Luigi BoccheriniCello Concerto No. 1 In C Major, G. 477: II. LargoTim Hugh, Scottish Chamber Orchestra, Luigi BoccheriniF Major07B70 BPM
Flute Concerto No. 1 in G Major: I. Spiritoso by Giovanni Battista Pergolesi, Jean-Pierre Rampal, Stuttgart Chamber Orchestra, Karl MünchingerFlute Concerto No. 1 in G Major: I. SpiritosoGiovanni Battista Pergolesi, Jean-Pierre Rampal, Stuttgart Chamber Orchestra, Karl MünchingerD Major210B112 BPM
Viola Concerto in C Minor: I. Allegro molto ma maestoso by Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double SensViola Concerto in C Minor: I. Allegro molto ma maestosoJohann Christian Bach, Henri Casadesus, Nemanja Radulović, Double SensC Minor25A96 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7120194435119629

End: 0.7157273292541504