"Die Kunst der Fuge, BWV 1080 - Arr. for Chamber Orchestra: 1. Contrapunctus 1" by Johann Sebastian Bach, Accademia Bizantina, Ottavio Dantone was released on June 8, 2021. The duration of Die Kunst der Fuge, BWV 1080 - Arr. for Chamber Orchestra: 1. Contrapunctus 1 is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Die Kunst der Fuge, BWV 1080 - Arr. for Chamber Orchestra: 1. Contrapunctus 1's duration is considered a little bit shorter than the average duration of a typical track. The song is number 150 out of 160 in Bach for the Great Outdoors by Johann Sebastian Bach. In terms of popularity, Die Kunst der Fuge, BWV 1080 - Arr. for Chamber Orchestra: 1. Contrapunctus 1 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Die Kunst der Fuge, BWV 1080 - Arr. for Chamber Orchestra: 1. Contrapunctus 1 by Johann Sebastian Bach, Accademia Bizantina, Ottavio Dantone is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060: 2. Adagio (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Minor | 0 | 5A | 82 BPM | ||
Handel: Harpsichord Suite No. 5 in E Major, HWV 430: IV. Air con Variazioni, "The Harmonious Blacksmith" (from "Suites de Pièces pour le Clavecin I", 1720) - 1996 Digital Remaster | George Frideric Handel, Sviatoslav Richter | E Major | 0 | 12B | 144 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Bach, JS: Concerto for Three Pianos in C Major, BWV 1064: I. Allegro | Johann Sebastian Bach, Jean-Pierre Wallez, Gabriel Tacchino, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de Paris | C Major | 2 | 8B | 83 BPM | ||
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 | Janos Sebestyen, Johann Sebastian Bach | D Major | 3 | 10B | 139 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: II. Largo | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | F Major | 0 | 7B | 70 BPM | ||
Flute Concerto No. 1 in G Major: I. Spiritoso | Giovanni Battista Pergolesi, Jean-Pierre Rampal, Stuttgart Chamber Orchestra, Karl Münchinger | D Major | 2 | 10B | 112 BPM | ||
Viola Concerto in C Minor: I. Allegro molto ma maestoso | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | C Minor | 2 | 5A | 96 BPM |
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