Arnold Schoenberg, Ernst Toch, Nathaniel Shilkret, Alexandre Tansman, Darius Milhaud, Mario Castelnuovo-Tedesco, Igor Stravinsky, Patrick Russ, David Margulies, Fritz Weaver, Isaiah Sheffer, Sigurd Brauns, Tovah Feldshuh, Barbara Feldon, Ernst Senff Choir, Berlin Radio Symphony Orchestra, Gerard Schwarz's 'Genesis Suite: I. Prelude' had a release date set for September 1, 2004. This song is about six minutes long, preciously at 5:53, making this song fairly long compared to other songs. The track order of this song in Mario Castelnuovo-Tedesco, Arnold Schoenberg, Alexandre Tansman, Darius Milhaud, Ernst Toch, Igor Stravinsky, Nathaniel Shilkret, Patrick Russ's "Genesis Suite (1945)" album is number 1 out of 7. On top of that, Hong Kong appears to be the country where this track was created. Genesis Suite: I. Prelude is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Genesis Suite: I. Prelude by Arnold Schoenberg, Ernst Toch, Nathaniel Shilkret, Alexandre Tansman, Darius Milhaud, Mario Castelnuovo-Tedesco, Igor Stravinsky, Patrick Russ, David Margulies, Fritz Weaver, Isaiah Sheffer, Sigurd Brauns, Tovah Feldshuh, Barbara Feldon, Ernst Senff Choir, Berlin Radio Symphony Orchestra, Gerard Schwarz to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paradis: Sicilienne 파라디스 시실리안느 | 김준영 | E♭ Major | 0 | 5B | 137 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Arcadiana: VI. O Albion | Thomas Adès, Calder Quartet | E♭ Major | 0 | 5B | 78 BPM | ||
Sechs Klavierstücke, Op. 118: II. Intermezzo in A Major | Johannes Brahms, Arcadi Volodos | A Major | 0 | 11B | 69 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Minor | 1 | 7A | 174 BPM | ||
String Quartet No.2 in D Major | Alexander Borodin, Borodin Quartet | A Major | 1 | 11B | 90 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM |