"Preghiera (in the style of Martini)" by Samuel Sanders, Itzhak Perlman was released on April 17, 2006. The duration of Preghiera (in the style of Martini) is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Preghiera (in the style of Martini)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Itzhak Perlman's "Kreisler: Collection" album is number 6 out of 42. In terms of popularity, Preghiera (in the style of Martini) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Preghiera (in the style of Martini) by Samuel Sanders, Itzhak Perlman to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 84 BPM | ||
12 Études, Op. 10: No. 1 in C Major "Waterfall" | Frédéric Chopin, Maurizio Pollini | C Major | 3 | 8B | 86 BPM | ||
Sérénade espagnole (arr. Kreisler) - 1995 Remastered Version | Cécile Chaminade, Itzhak Perlman, Samuel Sanders | G Major | 2 | 9B | 126 BPM | ||
Don't Be Afraid | Samuel Sanders | C Major | 9 | 8B | 142 BPM | ||
Five Pieces For Two Violins and Piano: IV. Waltz | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Minor | 1 | 6A | 179 BPM | ||
Bruch: Scottish Fantasy, Op. 46: I. (b) Adagio cantabile | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Minor | 0 | 2A | 59 BPM | ||
Vocalise, Op. 34, No. 14 (Arr. for Cello and Piano) | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | D♭ Minor | 0 | 12A | 93 BPM | ||
Zigeunerweisen, Op. 20 (version for violin and orchestra): III. Allegro molto vivace | RCA Victor Symphony Orchestra & William Steinberg | A♭ Major | 1 | 4B | 88 BPM | ||
Papillon, Op. 77 | Gabriel Fauré, Heinrich Schiff, Samuel Sanders | A Major | 1 | 11B | 164 BPM |
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