"In mir klingt ein Lied" by Frédéric Chopin, Jonas Kaufmann, Helmut Deutsch was released on September 4, 2020. The duration of In mir klingt ein Lied is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. In mir klingt ein Lied's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Selige Stunde". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. In mir klingt ein Lied is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With In mir klingt ein Lied by Frédéric Chopin, Jonas Kaufmann, Helmut Deutsch having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Études, Op. 10: No. 3 in E Major "Tristesse" | Frédéric Chopin, Murray Perahia | D Major | 0 | 10B | 102 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | C Major | 2 | 8B | 90 BPM | ||
From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 1, The Dance | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | G Minor | 1 | 6A | 134 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
Die lustige Witwe / Act III: "Aber dort bin ich zu Hause.." Lippen schweigen | Franz Lehár, Boje Skovhus, Cheryl Studer, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 72 BPM | ||
Gounod: Messe solennelle de Sainte Cécile: VIII. Domine salvum | Charles Gounod, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France | G Major | 1 | 9B | 85 BPM | ||
6 Lieder, Op. 50: No. 2. Der Jager Abschied | Felix Mendelssohn, Berlin Radio Chorus, male section, Dietrich Knothe | E♭ Major | 1 | 5B | 137 BPM | ||
Schlafe Mein Prinzchen, Schlaf Ein | Vienna Boys' Choir | F Major | 0 | 7B | 134 BPM | ||
Zwei Märchenaugen (From "Die Zirkusprinzessin") | Emmerich Kálmán, Jonas Kaufmann, Ádám Fischer | C Major | 3 | 8B | 81 BPM | ||
Nabucco / Act III: Va, pensiero, sull'ali dorate | Giuseppe Verdi, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | D♭ Major | 0 | 3B | 73 BPM |
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