Giulio Cesare in Egitto, HWV 17 (Sung in German), Act I: Act I Scene 8: Aria: Süße Hoffnung meiner Seele (Sextus)
George Frideric Handel, Fritz Wunderlich, Munich Philharmonic Orchestra, Ferdinand Leitner
Handel: Giulio Cesare in Egitto, HWV 17 (Sung in German)
4:17 January 1, 2016
BPM
99
Key
A Major
Camelot
11B

Embed

Share Link

Giulio Cesare in Egitto, HWV 17 (Sung in German), Act I: Act I Scene 8: Aria: Süße Hoffnung meiner Seele (Sextus) - George Frideric Handel, Fritz Wunderlich, Munich Philharmonic Orchestra, Ferdinand Leitner Information

Acousticness
90%
Danceability
36%
Energy
13%
Instrumentalness
0%
Liveness
22%
Loudness
67%
Speechiness
6%
Valence
48%
Popularity
Loudness
-19.769 dB

Summary

George Frideric Handel, Fritz Wunderlich, Munich Philharmonic Orchestra, Ferdinand Leitner made "Giulio Cesare in Egitto, HWV 17 (Sung in German), Act I: Act I Scene 8: Aria: Süße Hoffnung meiner Seele (Sextus)" available on January 1, 2016. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, Lucia Popp, Walter Berry, Fritz Wunderlich, Munich Philharmonic Orchestra, Ferdinand Leitner's "Handel: Giulio Cesare in Egitto, HWV 17 (Sung in German)" album is number 22 out of 81. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Giulio Cesare in Egitto, HWV 17 (Sung in German), Act I: Act I Scene 8: Aria: Süße Hoffnung meiner Seele (Sextus) is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Giulio Cesare in Egitto, HWV 17 (Sung in German), Act I: Act I Scene 8: Aria: Süße Hoffnung meiner Seele (Sextus) BPM

We consider the tempo marking of Giulio Cesare in Egitto, HWV 17 (Sung in German), Act I: Act I Scene 8: Aria: Süße Hoffnung meiner Seele (Sextus) by George Frideric Handel, Fritz Wunderlich, Munich Philharmonic Orchestra, Ferdinand Leitner to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Giulio Cesare in Egitto, HWV 17 (Sung in German), Act I: Act I Scene 8: Aria: Süße Hoffnung meiner Seele (Sextus) Key

This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
St. Matthew Passion, BWV 244 / Part Two: St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich"Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg SoltiB Minor110A93 BPM
Symphony No. 25 in G minor, K.183: 1. Allegro con brio by Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville MarrinerSymphony No. 25 in G minor, K.183: 1. Allegro con brioWolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville MarrinerG Minor26A80 BPM
Adagio in E Major, K. 261 by Wolfgang Amadeus Mozart, Pinchas Zukerman, Saint Paul Chamber OrchestraAdagio in E Major, K. 261Wolfgang Amadeus Mozart, Pinchas Zukerman, Saint Paul Chamber OrchestraE Major112B100 BPM
Concerto grosso in B flat, Op. 3, No. 2: 2. Largo by George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John ConstableConcerto grosso in B flat, Op. 3, No. 2: 2. LargoGeorge Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John ConstableG Minor26A83 BPM
Purcell: Trumpet Sonata in D Major, Z. 850: I. Allegro by Henry Purcell, Alison Balsom, Balsom EnsemblePurcell: Trumpet Sonata in D Major, Z. 850: I. AllegroHenry Purcell, Alison Balsom, Balsom EnsembleD♭ Major33B101 BPM
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano by Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachConcerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E PianoCologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachE♭ Major15B103 BPM
Dido and Aeneas, Z. 626: Overture by Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque EnsembleDido and Aeneas, Z. 626: OvertureHenry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque EnsembleB Minor210A91 BPM
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf by Edvard Grieg, Alice Sara OttLyric Pieces Book I, Op. 12: No. 7 Album LeafEdvard Grieg, Alice Sara OttD Major210B121 BPM
Choral-Vatiationen: Var. I. In canone all'Ottava by Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale GentChoral-Vatiationen: Var. I. In canone all'OttavaIgor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale GentC Major18B93 BPM
Symphony No. 3 in C Major, Op. 2, Symphony No. 3 in C Major, Op. 2, "The Chaplet": II. VivaceWilliam Boyce, Aradia Ensemble, Kevin MallonA♭ Minor01A121 BPM
ISRC
DEB959435122
Label
L-M Records/RCA Records

Section: 0.7829132080078125

End: 0.7861919403076172