Paul Dukas, Armin Jordan, Orchestre de la Suisse Romande's 'Dukas: La Péri: I. Fanfare' came out on November 10, 2017. The duration of Dukas: La Péri: I. Fanfare is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Dukas: La Péri: I. Fanfare's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists, Michel Plasson's "Légendes, les musiques enchantées" album is number 24 out of 38. On top of that, France appears to be the country where this track was created. In terms of popularity, Dukas: La Péri: I. Fanfare is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Dukas: La Péri: I. Fanfare by Paul Dukas, Armin Jordan, Orchestre de la Suisse Romande to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L’apprenti sorcier | Paul Dukas, L'Orchestre De L'Association Des Concerts Colonne, Pierre Dervaux, Nederlands Philharmonisch Orkest Amsterdam, L'Orchestre du Théâtre National de l'Opéra, Paris, Orchestre des concerts de Paris | D Major | 2 | 10B | 76 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
Hungarian Rhapsody No.2 in C sharp minor, S.244 | Franz Liszt, Michele Campanella | D♭ Major | 1 | 3B | 101 BPM | ||
Symphonie fantastique, Op. 14: Symphonie fantastique, Op. 14: V. Songe d'une nuit de sabbat | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | G Minor | 2 | 6A | 117 BPM | ||
Fanfare pour preceder La Peri | Paul Dukas, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | A♭ Major | 1 | 4B | 75 BPM | ||
Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | B Minor | 1 | 10A | 79 BPM | ||
The Firebird: Scene 2: Kastchei's spell is broken, his palace disappears, and the Petrified Knights return to life. General Thanksgiving … . | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B Major | 1 | 1B | 85 BPM | ||
Mozart: Horn Concerto No. 2 in E-Flat Major, K. 417: III. Rondo | Wolfgang Amadeus Mozart, Barry Tuckwell, Sir Neville Marriner, Academy of St. Martin in the Fields | E♭ Major | 1 | 5B | 111 BPM |
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