"Barber: Piano Sonata, Op. 26: II. Allegro vivace e leggiero" by Samuel Barber, Peter Lawson was released on 1991. The duration of Barber: Piano Sonata, Op. 26: II. Allegro vivace e leggiero is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Barber: Piano Sonata, Op. 26: II. Allegro vivace e leggiero's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 10 in American Classics: Piano Sonatas Vol.1 by Peter Lawson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Barber: Piano Sonata, Op. 26: II. Allegro vivace e leggiero is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Barber: Piano Sonata, Op. 26: II. Allegro vivace e leggiero by Samuel Barber, Peter Lawson is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thaïs: Médiation | Jules Massenet, Arabella Steinbacher, Orchestre Philharmonique de Monte-Carlo, Lawrence Foster | D Major | 0 | 10B | 91 BPM | ||
Souvenirs, Op. 28 (version for orchestra): V. Hesitation-Tango (A Bedroom Affair) | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | A♭ Major | 0 | 4B | 177 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 127 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | ||
Carnival of the Animals: The Swan | Camille Saint-Saëns, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Sheku Kanneh-Mason | G Major | 1 | 9B | 65 BPM | ||
Antony and Cleopatra, Op. 40: Give Me My Robe | Samuel Barber, Leontyne Price, Thomas Schippers, New Philharmonia Orchestra | F Minor | 2 | 4A | 104 BPM | ||
13 Pieces, Op. 76: No. 2 Etude | Jean Sibelius, Håvard Gimse | A Minor | 2 | 8A | 72 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM |
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