"Sonata for Flute and Piano: III. Lievemente mosso" by Mario Pilati, Catello Coppola, Aniello Iaccarino was released on February 23, 2024. Since Sonata for Flute and Piano: III. Lievemente mosso is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Catello Coppola, Aniello Iaccarino's "Gaubert, Casella, Koechlin, Pilati: Au-Delà Du Cadre (Early Twentieth-Century European Music for Flute and Piano)" album is number 11 out of 11. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Sonata for Flute and Piano: III. Lievemente mosso is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata for Flute and Piano: III. Lievemente mosso by Mario Pilati, Catello Coppola, Aniello Iaccarino to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
25 Études faciles et progressives, Op. 100: No. 20, Tarantelle | Franz Burgmüller, The Gerst Ensemble | B Minor | 0 | 10A | 172 BPM | ||
Susan, the Doggie and Me | Percy Whitlock, RTE Concert Orchestra, Gavin Sutherland | E Major | 0 | 12B | 53 BPM | ||
Divertimento from "Le baiser de la fée", K49 (Arr. Stravinsky & Dushkin for Violin & Piano): II. Danses suisses | Igor Stravinsky, Thomas Adès, Anthony Marwood | D Minor | 2 | 7A | 100 BPM | ||
Suite for Violin and Piano from Pulcinella, K34 (1925 Version): III. Tarantella | Igor Stravinsky, Anthony Marwood, Thomas Adès | B♭ Major | 4 | 6B | 103 BPM | ||
Symphony Fantastique in C Major, Op 14: II. Un Bal - Allegro non troppo | Hector Berlioz, Alberto Lizzio, Süddeutsche Philharmonie | D Major | 4 | 10B | 125 BPM | ||
Bagatelles, Book 2: IV. Intermezzo | Mario Pilati, Giovanni Nesi | A Minor | 2 | 8A | 113 BPM | ||
String Quartet in G minor | Antonios Fotopoulos, Antonis Fotopoulos | A♭ Major | 0 | 4B | 58 BPM | ||
Lieder Ohne Worte, Fünftes Heft, Op. 62 (Arr. for Violin and Piano by Ferdinand David): I. Andante espressivo | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | D Major | 1 | 10B | 143 BPM | ||
Deep River (Arr. J. Lenehan for Clarinet & Piano) | Traditional, Helen Habershon, John Lenehan | E♭ Major | 0 | 5B | 63 BPM | ||
Violin Concerto: I. Prelude | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | F Minor | 2 | 4A | 152 BPM |
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