On February 1, 2010, the song "Divertimento from "Le baiser de la fée", K49 (Arr. Stravinsky & Dushkin for Violin & Piano): II. Danses suisses" was released by Igor Stravinsky, Thomas Adès, Anthony Marwood. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 28 in the song's album "Stravinsky: Complete Music for Violin & Piano". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Divertimento from "Le baiser de la fée", K49 (Arr. Stravinsky & Dushkin for Violin & Piano): II. Danses suisses is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Divertimento from "Le baiser de la fée", K49 (Arr. Stravinsky & Dushkin for Violin & Piano): II. Danses suisses by Igor Stravinsky, Thomas Adès, Anthony Marwood having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Cello and Orchestra: I. Moderato | William Walton, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | C Major | 0 | 8B | 81 BPM | ||
Enthusiasm for Flute and Viola | Paul Hindemith, Stathis Karapanos, David Aaron Carpenter | G Major | 0 | 9B | 113 BPM | ||
Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variation XXIV | Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra | B♭ Minor | 1 | 3A | 92 BPM | ||
Preludes, Op. 28: No. 15 in G-Sharp Minor, B. 107 (Arr. for Cello Quartet by Leszek Kołodziejski) | Frédéric Chopin, Polish Cello Quartet | A♭ Major | 1 | 4B | 105 BPM | ||
Symphony No. 3 in D Minor: II. Tempo di Menuetto. Sehr mäßig | Gustav Mahler, Minnesota Orchestra, Osmo Vänskä | D Major | 0 | 10B | 82 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Stages. Variation IX | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Minor | 3 | 4A | 114 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): Doctor Gradus ad Parnassum | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | C Major | 0 | 8B | 76 BPM | ||
Piano Concerto in F sharp Minor, Op. 10: II. Adagio ma non troppo | Hans Bronsart von Schellendorf, Paul Wee, Swedish Chamber Orchestra, Michael Collins | F♯ Major | 0 | 2B | 79 BPM | ||
Four Greek Songs: III. Andante piacevole | Charles Camilleri, David Campbell, Zoë Martlew, Julian Jacobson | B Minor | 0 | 10A | 95 BPM | ||
Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: VII. Death of Tybalt | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | C Major | 2 | 8B | 72 BPM |