"Notebook for Anna Magdalena Bach: Bist du bei mir, BWV 508" by Johann Sebastian Bach, Pieter-Jan Belder, Johannete Zomer was released on 2006. The duration of Notebook for Anna Magdalena Bach: Bist du bei mir, BWV 508 is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Notebook for Anna Magdalena Bach: Bist du bei mir, BWV 508's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Pieter-Jan Belder, Johannete Zomer's "J.S. Bach: Notenbüchlein für Anna Magdalena Bach" album is number 24 out of 38. On top of that, Netherlands appears to be the country where this track was created. The popularity of Notebook for Anna Magdalena Bach: Bist du bei mir, BWV 508 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Notebook for Anna Magdalena Bach: Bist du bei mir, BWV 508 by Johann Sebastian Bach, Pieter-Jan Belder, Johannete Zomer to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM | ||
The Fairy Queen, Z. 629, Act II: Air | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | B Major | 2 | 1B | 112 BPM | ||
Thematis Regii, Elaborationes Canonicae: Fuga Canonica In Epidiapente | Krijn Koetsveld, Floris Mijnders, Arts Music Recording, Rotterdam, David Jansen, Netherlands Bach Ensemble, Marieke Schneemann, Johann Sebastian Bach, Candy Thompson | C Minor | 1 | 5A | 144 BPM | ||
Matthäus Passion, Prima Parte: 13. Aria (Soprano): Ich Will Dir Mein Herze Schenken | Stephen Cleobury, Michael George, Johann Sebastian Bach, Rogers Covey-Crump, Michael Chance, Martyn Hill, Emma Kirkby, Choir of King's College, Cambridge, David Thomas | F♯ Major | 0 | 2B | 72 BPM | ||
Sonata in E Major, BWV 1035: III. Siciliana | Johann Sebastian Bach, Jed Wentz, Michael Borgstede | C Minor | 0 | 5A | 146 BPM | ||
2. Notenbüchlein für Anna Magdalena Bach: I. No. 13a, Gib Dich zufrieden und sei stille, BWV 511 | Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Gloria in D Major, R. 589 - G.Ricordi 1970, Ed. Malipiero: VI. Domine Deus | Antonio Vivaldi, Nancy Argenta, David Reichenberg, The English Concert, Trevor Pinnock | B Major | 0 | 1B | 132 BPM | ||
Stabat Mater, RV 621: III. O quam tristis | Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini | F Minor | 1 | 4A | 98 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
Recorder Sonata in F major, Op.1, No.11, HWV 369: 3. Alla siciliana | George Frideric Handel, Michala Petri, Academy of St. Martin in the Fields | F Major | 1 | 7B | 130 BPM |
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