George Frideric Handel, Michala Petri, Academy of St. Martin in the Fields's 'Recorder Sonata in F major, Op.1, No.11, HWV 369: 3. Alla siciliana' came out on January 1, 1995. With Recorder Sonata in F major, Op.1, No.11, HWV 369: 3. Alla siciliana being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Academy of St. Martin in the Fields's "Handel: Complete Wind Sonatas" album is number 28 out of 70. Based on our statistics, Recorder Sonata in F major, Op.1, No.11, HWV 369: 3. Alla siciliana's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Recorder Sonata in F major, Op.1, No.11, HWV 369: 3. Alla siciliana by George Frideric Handel, Michala Petri, Academy of St. Martin in the Fields to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite From Abdelzar: VI. Air | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Minor | 2 | 11A | 101 BPM | ||
Flute Concerto in C Minor, QV 5:38: II. Lento | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | E♭ Minor | 0 | 2A | 140 BPM | ||
The Fairy Queen, Z. 629, Act II: Air | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | B Major | 2 | 1B | 112 BPM | ||
Concerto For Flute, Violin, Harpsichord, And Strings In A Minor, BWV 1044: 2. Adagio ma non tanto e dolce | Johann Sebastian Bach, Wilbert Hazelzet, Reinhard Goebel, Andreas Staier, Musica Antiqua Köln | C Major | 3 | 8B | 103 BPM | ||
Trio Sonata in G Major: I. Largo | Johann Gottlieb Graun, Berliner Barock Compagney | F♯ Major | 1 | 2B | 97 BPM | ||
Flute Sonata in D major, HWV 378: 3. Adagio | George Frideric Handel, Academy of St. Martin in the Fields, William Bennett, Nicholas Kraemer, Denis Vigay | C Major | 1 | 8B | 138 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): III. Largo | Johann Gottlieb Goldberg, London Baroque | E♭ Minor | 1 | 2A | 82 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: III. Adagio | Francesco Geminiani, Capella Istropolitana | E Minor | 0 | 9A | 142 BPM | ||
Ottone: Aria: Bel labro formato per farmi beato | George Frideric Handel, Nicola Francesco Haym, Filippo Mineccia, I musici del Gran Principe, Samuele Lastrucci | D♭ Minor | 3 | 12A | 82 BPM |
Section: 0.6220834255218506
End: 0.6269307136535645