Sergei Prokofiev, André Previn, London Symphony Orchestra made "Prokofiev: Cinderella, Op. 87, Act 2: No. 35, Duet of the Sisters with their Oranges (Allegro con brio)" available on January 10, 1995. With Prokofiev: Cinderella, Op. 87, Act 2: No. 35, Duet of the Sisters with their Oranges (Allegro con brio) being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 54 in the song's album "Prokofiev: Cinderella - Ballet/Symphony No. 1". In this album, this song's track order is #5. In terms of popularity, Prokofiev: Cinderella, Op. 87, Act 2: No. 35, Duet of the Sisters with their Oranges (Allegro con brio) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Prokofiev: Cinderella, Op. 87, Act 2: No. 35, Duet of the Sisters with their Oranges (Allegro con brio) by Sergei Prokofiev, André Previn, London Symphony Orchestra having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | F Major | 5 | 7B | 167 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro - | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | G Major | 0 | 9B | 127 BPM | ||
The Rite of Spring, Part 1: II. The Augurs of Spring - Dances of the Young Girls | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B♭ Major | 3 | 6B | 115 BPM | ||
Symphony No. 5 in C Minor, Op. 67: II. Andante con moto | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 0 | 4B | 75 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Cat | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 211 BPM | ||
Holberg Suite, Op. 40: IV. Air (Andante religioso) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | B♭ Major | 0 | 6B | 86 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM |
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