"La Morte delusa: Giustizia: Oziosa non siede" by Giovanni Battista Bassani, La Fenice, Jean Tubéry, François Piolino was released on 2002. The duration of La Morte delusa: Giustizia: Oziosa non siede is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. La Morte delusa: Giustizia: Oziosa non siede's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 26 in Bassani: La Morte delusa by Giovanni Battista Bassani, Jean Tubéry. Going off of the ISRC code of this track, we detected that the origin of this track is from France. La Morte delusa: Giustizia: Oziosa non siede is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Morte delusa: Giustizia: Oziosa non siede by Giovanni Battista Bassani, La Fenice, Jean Tubéry, François Piolino is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christ lag in Todes Banden, BWV 4: IV. Aria "Jesus Christus, Gottes Sohn" | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants, Thomas Hobbs | E Major | 4 | 12B | 101 BPM | ||
Confitebor tibi Domine, ZWV 72: Redemptionem misit - After Psalm 110 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Minor | 0 | 1A | 108 BPM | ||
Erbarm dich mein, o Herre Gott, SWV 447 | Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Yetzabel Arias | G Minor | 2 | 6A | 117 BPM | ||
Mischievous Young Princess Lost in the Forest | Valeriy Blagovidov | D♭ Major | 0 | 3B | 100 BPM | ||
Te Deum "de Lyon": VIII. Tu ad liberandum suscepturus hominem | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Jehanne Amzal | B♭ Major | 4 | 6B | 106 BPM | ||
Gesu al Calvario, ZWV 62: Chorus: Questo e il monte salutare (Chorus) | Jan Dismas Zelenka, David Cordier, Ingrid Schmithusen, Larissa Malikowa, Lena Susanne Norin, Kai Wessel, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | B Minor | 2 | 10A | 98 BPM | ||
2. Notenbüchlein für Anna Magdalena Bach: I. No. 13a, Gib Dich zufrieden und sei stille, BWV 511 | Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Affetti canori, cantate et ariette, Luci brune ho il cor ferito, Op. 6 No. 6: I. Luci brune ho il cor ferito | Giovanni Battista Bassani, Anna Piroli, Luigi Accardo, Nicola Brovelli, Elisa La Marca | F Minor | 0 | 4A | 114 BPM | ||
Armonici entusiasmi di Davide, Op. 9, Psalm 109 "Dixit Dominus Domino meo": Psalm 109, "Dixit Dominus Domino meo": Tecum principium in die virtutis tuae | Giovanni Battista Bassani, Nova Ars Cantandi, Fabio Furnari, Andrea Arrivabene, Giovanni Acciai | A♭ Minor | 0 | 1A | 73 BPM | ||
Ich fahre auf zu meinem Vater, TWV 1:825: I. Chorus "Ich fahre auf zu meinem Vater" | Georg Philipp Telemann, Vox Luminis, Freiburger Barockorchester, Lionel Meunier, Viola Blache, Sebastian Myrus | E Major | 3 | 12B | 94 BPM |
Section: 0.5753138065338135
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