"Pictures and Tales Suite: IV. Sleep, Baby, Sleep" by Karl Weigl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Jurgen Bruns was released on May 3, 2019. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Weigl: Symphony No. 1 in E Major, Op. 5 & Pictures and Tales Suite by Karl Weigl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Jurgen Bruns. The song's track number on the album is #8 out of 10 tracks. In terms of popularity, Pictures and Tales Suite: IV. Sleep, Baby, Sleep is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Pictures and Tales Suite: IV. Sleep, Baby, Sleep by Karl Weigl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Jurgen Bruns has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Pictures and Tales Suite: IV. Sleep, Baby, Sleep being at 112 BPM, the half-time would be 56 BPM with a double-time of 224 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Wie Melodien zieht es mir | Johannes Brahms, Jungin Huh | D Major | 5 | 10B | 123 BPM | ||
3 Pieces for cello and piano: No. 1. Modere | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | E♭ Minor | 0 | 2A | 87 BPM | ||
Romance Op. 23 | Amy Beach, Bomsori, Julia Okruashvili | A Major | 1 | 11B | 87 BPM | ||
La boîte à joujoux, L. 128: III. La bergerie à vendre | Claude Debussy, London Symphony Orchestra, Michael Tilson Thomas | F Minor | 0 | 4A | 72 BPM | ||
Lieder ohne Worte, Op. 102: No. 3 Presto (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | C Major | 4 | 8B | 78 BPM | ||
Concertino for Harp & Orchestra, Op. 45: II. Allegretto vivace | Ernst von Dohnányi, Silke Aichhorn, Deutsche Staatsphilharmonie Rheinland-Pfalz, Modestas Pitrenas | D Major | 0 | 10B | 88 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | ||
Love's Labour's Lost, Op.28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM |
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