"Considering Matthew Shepard: Passion, 16. I Am Like You/We Are All Sons (part 2)" by Craig Hella Johnson, Conspirare was released on September 9, 2016. Since Considering Matthew Shepard: Passion, 16. I Am Like You/We Are All Sons (part 2) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Craig Hella Johnson, Conspirare's "Johnson: Considering Matthew Shepard" album is number 16 out of 33. Considering Matthew Shepard: Passion, 16. I Am Like You/We Are All Sons (part 2) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Considering Matthew Shepard: Passion, 16. I Am Like You/We Are All Sons (part 2) by Craig Hella Johnson, Conspirare to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Drop down, ye heavens, from above | Judith Weir, Choir of Gonville & Caius College, Cambridge, Geoffrey Webber | D Minor | 1 | 7A | 77 BPM | ||
Light of a Clear Blue Morning (Arr. Johnson) | Dolly Parton, Conspirare, Craig Hella Johnson | B Major | 1 | 1B | 137 BPM | ||
Messa di Requiem: Libera Me | Ildebrando Pizzetti, Conspirare, Craig Hella Johnson | A Minor | 0 | 8A | 69 BPM | ||
Hymn to the Eternal Flame (From to Be Certain of the Dawn) | The Singers - Minnesota Choral Artists, Matthew Culloton | D♭ Major | 1 | 3B | 169 BPM | ||
A stopwatch and an ordnance map, Op. 15 | Samuel Barber, Conspirare, Thomas Burritt, Craig Hella Johnson, Matt Tresler | C Major | 0 | 8B | 83 BPM | ||
Freedom Song | Robert Kyr, Conspirare, Craig Hella Johnson, David Farwig, Rick Gabrillo | E♭ Major | 3 | 5B | 101 BPM | ||
The Birds' Lullaby - SATB | Sarah Quartel, Oxford University Press, The Oxford Choir, Bob Chilcott | G Major | 1 | 9B | 104 BPM | ||
Holy Spirit Mass: Blessed | Kim André Arnesen, Mona Spigseth, Alex Robson, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | B♭ Major | 2 | 6B | 58 BPM | ||
Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas | Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz | F Major | 0 | 7B | 75 BPM | ||
O Vorsehung: O Vorsehung | Michael Schachter, Conspirare, Miró Quartet, Craig Hella Johnson | C Major | 1 | 8B | 146 BPM |
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