"Così fan tutte, Act 1, Scene 2: No. 8a Quintetto: Di scrivermi ogni giorno (Don Alfonso/Fiordiligi/Dorabella/Ferrando/Guglielmo)" by Wiener Philharmoniker, Riccardo Muti, James Morris, Margaret Marshall, José van Dam, Agnes Baltsa, Francisco Araiza was released on August 2, 2013. The duration of Così fan tutte, Act 1, Scene 2: No. 8a Quintetto: Di scrivermi ogni giorno (Don Alfonso/Fiordiligi/Dorabella/Ferrando/Guglielmo) is about 3 minutes long, at 3:00. Based on our data, "Così fan tutte, Act 1, Scene 2: No. 8a Quintetto: Di scrivermi ogni giorno (Don Alfonso/Fiordiligi/Dorabella/Ferrando/Guglielmo)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 15 out of 214. On top of that, United Kingdom appears to be the country where this track was created. Così fan tutte, Act 1, Scene 2: No. 8a Quintetto: Di scrivermi ogni giorno (Don Alfonso/Fiordiligi/Dorabella/Ferrando/Guglielmo) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Così fan tutte, Act 1, Scene 2: No. 8a Quintetto: Di scrivermi ogni giorno (Don Alfonso/Fiordiligi/Dorabella/Ferrando/Guglielmo) by Wiener Philharmoniker, Riccardo Muti, James Morris, Margaret Marshall, José van Dam, Agnes Baltsa, Francisco Araiza to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Maurizio Pollini | D♭ Major | 1 | 3B | 69 BPM | ||
Prelude In F Major, BWV 928 : Prelude In F Major, BWV 928 | Janos Sebestyen, Johann Sebastian Bach | F Major | 2 | 7B | 140 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Vivaldi: Le quattro stagioni (The Four Seasons), Op. 8: Violin Concerto No. 3 in F Major, RV 293, "L'Autunno". I. Allegro | Antonio Vivaldi, Sarah Chang, Orpheus Chamber Orchestra | F Major | 1 | 7B | 118 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht | Bedřich Smetana, Jitka Čechová | A♭ Minor | 2 | 1A | 76 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Requiem In D Minor, K. 626: Sequence: I. Dies Irae | Slovak Philharmonic, Magdaléna Hajóssyová, Peter Mikulas, Vladimir Ruso, Jaroslava Horska, Jozef Kundlák, Stefan Klimo, Slovak Philharmonic Chorus, Wolfgang Amadeus Mozart | G Minor | 3 | 6A | 79 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM |
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