Claude Debussy, Finnish Radio Symphony Orchestra, Jukka-Pekka Saraste's 'Debussy: Prélude à l'après-midi d'un faune, CD 87, L. 86' came out on January 1, 1998. Since Debussy: Prélude à l'après-midi d'un faune, CD 87, L. 86 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 16 in Debussy: La Mer, Images, Jeux & Prélude à l'après-midi d'un faune by Claude Debussy, Jukka-Pekka Saraste, Finnish Radio Symphony Orchestra, Rotterdam Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Debussy: Prélude à l'après-midi d'un faune, CD 87, L. 86's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Debussy: Prélude à l'après-midi d'un faune, CD 87, L. 86 by Claude Debussy, Finnish Radio Symphony Orchestra, Jukka-Pekka Saraste is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave Maria, S. 558 (after Schubert, D. 839) | Franz Liszt, Benjamin Grosvenor | B♭ Major | 0 | 6B | 69 BPM | ||
Prelude in G Major | Víkingur Ólafsson | G Major | 0 | 9B | 102 BPM | ||
2 Bagatelles, Op. 173: No. 2. Andantino | Valentin Silvestrov, Elisaveta Blumina | C Major | 0 | 8B | 70 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
Masquerade - Ballet Suite: 1. Waltz | Aram Khachaturian, London Symphony Orchestra, Stanley Black | C Major | 3 | 8B | 100 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
2 Arabesques, L. 66: No. 1 in E Major | Claude Debussy, Michael Korstick | E Major | 0 | 12B | 109 BPM | ||
Songs My Mother Taught Me, Op.55 No.4 | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | D Major | 0 | 10B | 96 BPM | ||
Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM |
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