"Symphoniae Sacrae III, Op. 12: Es ging ein Sämann aus, SWV 408" by Heinrich Schütz, Cantus Cölln, Konrad Junghanel was released on 2005. Since Symphoniae Sacrae III, Op. 12: Es ging ein Sämann aus, SWV 408 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 21 in the song's album "Schütz: Symphoniae Sacrae III, Op. 12". In this album, this song's track order is #1. Based on our statistics, Symphoniae Sacrae III, Op. 12: Es ging ein Sämann aus, SWV 408's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphoniae Sacrae III, Op. 12: Es ging ein Sämann aus, SWV 408 by Heinrich Schütz, Cantus Cölln, Konrad Junghanel having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 1. Kyrie eleison | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | B Minor | 3 | 10A | 110 BPM | ||
Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus Tragicus": IIa. Cantata, BWV 106 "Gottes Zeit ist die allerbeste Zeit", | Johann Sebastian Bach, Cantus Cölln, Konrad Junghanel | A Major | 1 | 11B | 76 BPM | ||
Qui en la garde du haut Dieu pour jamais se retire (Ps. 91) | Jan Pieterszoon Sweelinck, Daniel Reuss, Cappella Amsterdam | B Minor | 2 | 10A | 91 BPM | ||
Requiem, Kyrie: III. Kyrie eleison | Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi | E♭ Major | 1 | 5B | 116 BPM | ||
Lille Almanak – Little Almanac 3 | Finn Mathiassen, Harald Herdal, Jens Peter Jacobsen, Musikstuderendes Kammerkor | G Minor | 0 | 6A | 75 BPM | ||
Requiem: I. Introit and Kyrie | Michael John Trotta, London Symphony Orchestra, London Voices | G Major | 2 | 9B | 72 BPM | ||
All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | B♭ Major | 2 | 6B | 113 BPM | ||
Fünf Gesänge, Op. 104: II. Nachtwache II | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | D Minor | 0 | 7A | 86 BPM | ||
Missa Sancti Spiritus, ZWV 4: Et unam Sanctam | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | B Major | 3 | 1B | 98 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Anime avventurose" - "Torna o bella" (Orfeo, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM |
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