"Madama Butterfly, SC 74, Act II: Un bel di" by Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel was released on March 1, 1991. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Pops Plays Puccini". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Madama Butterfly, SC 74, Act II: Un bel di is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Madama Butterfly, SC 74, Act II: Un bel di by Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM | ||
Abbey Road concerto for Violin and Orchestra: VIII. Here Comes The Sun | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 5 | 11B | 157 BPM | ||
Symphony No. 4 in D Minor, Op. 120 "Clara Symphonie": II. Romanze. Ziemlich langsam (Re-Orchestrated by G. Mahler) | Robert Schumann, ORF Vienna Radio Symphony Orchestra, Marin Alsop | G Minor | 0 | 6A | 88 BPM | ||
Aria for String Quartet, Op. 9 | Mieczysław Weinberg, NOVO Quartet | G Minor | 0 | 6A | 103 BPM | ||
Closing Title from "Alien" | Jerry Goldsmith, Cincinnati Pops Orchestra, Erich Kunzel | C Major | 1 | 8B | 69 BPM | ||
Turandot / Act 1: "Popoli di Pekino!" | Giacomo Puccini, Sabin Markov, Montserrat Caballé, Luciano Pavarotti, Nicolai Ghiaurov, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | A♭ Major | 3 | 4B | 134 BPM | ||
Symphony No. 2 in E Minor, Op. 115 "Böcklin-Symphonie": IV. Finale, Metamorphosen (No. 6 "Die Gefilde Der Seligen") | Hans Huber, Matthias Wächter, Günther Maysenhölder, Jörg Peter Weigle, Stuttgart Philharmonic Orchestra | G Major | 1 | 9B | 87 BPM | ||
Symphony No. 4, Op. 90, "Italian": IV. Saltarello. Presto | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Carnival of the Animals (after C. Saint-Saens): XII. Fossils | John Morris Russell, David Fishlock, Cincinnati Pops Orchestra | B♭ Major | 5 | 6B | 120 BPM | ||
Woe, the Darkman, Woe! (From "Darkman") | Danny Elfman, Cincinnati Pops Orchestra, Erich Kunzel | F Major | 0 | 7B | 87 BPM |
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