A.R.Gurney, Valorie Armstrong, David Dukes, Judith Ivey, David Hyde Pierce made "Chapter 19 - Later Life" available on March 1, 1995. The duration of Chapter 19 - Later Life is about 3 minutes long, at 3:00. Based on our data, "Chapter 19 - Later Life" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in A.R.Gurney's "Later Life" album is number 19 out of 25. On top of that, Germany appears to be the country where this track was created. Chapter 19 - Later Life is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Chapter 19 - Later Life by A.R.Gurney, Valorie Armstrong, David Dukes, Judith Ivey, David Hyde Pierce to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
25 Scottish Songs, Op. 108: No. 20, Faithfu' Johnie | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | E♭ Major | 1 | 5B | 99 BPM | ||
Spring Symphony, Op. 44, Part IV: Finale. London, to Thee I do Present (soprano, alto, tenor, chorus, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Alice Coote, Allan Clayton, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | C Major | 3 | 8B | 134 BPM | ||
Puts: The Hours, Act 1: "She Pauses at Its Threshold…" (Chorus, Clarissa, Man Under the Arch, Walter, Virginia) [Live] | Kevin Puts, Yannick Nézet-Séguin, John Holiday, Joyce DiDonato, Metropolitan Opera Chorus, Renée Fleming, Tony Stevenson, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
Evensong | Liza Lehmann, Steuart Bedford, Catherine Wyn-Rogers | A♭ Major | 0 | 4B | 75 BPM | ||
Iolanthe: Go Away Madam | Elizabeth Woollett, Jill Pert, Richard Suart, New D'Oyly Carte Opera | E♭ Major | 2 | 5B | 52 BPM | ||
Bernstein - I hate music!: I hate music! | Leonard Bernstein, Barbara Bonney, Malcolm Martineau | E Minor | 1 | 9A | 77 BPM | ||
Sweet Chance That Led My Steps Abroad | Charlotte Hoather, George Todica | F Major | 2 | 7B | 135 BPM | ||
And Tired From Happiness, They Started to Dance: II. Motion of Waiting | Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi | A Minor | 1 | 8A | 117 BPM | ||
Affirmation 1 | Inspiration | D♭ Major | 0 | 3B | 82 BPM | ||
Schwanenlied | Fanny Mendelssohn, Sivan Goldman, Shira Shaked | E Major | 1 | 12B | 93 BPM |
Section: 0.8695003986358643
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