Gilbert & Sullivan Society of Houston made "Trial by Jury: Oh, Joy Unbounded" available on August 1, 2006. The duration of Trial by Jury: Oh, Joy Unbounded is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Trial by Jury: Oh, Joy Unbounded's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Trial by Jury". In this album, this song's track order is #15. Based on our statistics, Trial by Jury: Oh, Joy Unbounded's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Trial by Jury: Oh, Joy Unbounded by Gilbert & Sullivan Society of Houston having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dormi, Dormi, Dormi - Rock-a-Bye-Baby, 1958 | Jerry Lewis | G Major | 3 | 9B | 87 BPM | ||
Arlen / Arr. Chaplin: Get Happy (From "Summer Stock") | The John Wilson Orchestra, John Wilson | D Major | 5 | 10B | 170 BPM | ||
Pour, O Pour the Pirate Sherry | The Pirates Of Penzance | B♭ Major | 5 | 6B | 107 BPM | ||
Lehár: Eva: "Wär es auch nichts als ein Traum vom Glück" (Eva) | Franz Lehár, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester | D Major | 2 | 10B | 80 BPM | ||
The Pirates of Penzance: I Am the Very Model | Eric Roberts | C Major | 2 | 8B | 133 BPM | ||
Street Scene: What Good Would the Moon Be? | Kurt Weill, Anne Jeffreys, Maurice Abravanel | D♭ Major | 2 | 3B | 54 BPM | ||
Sword Dance and Reel | 'Brigadoon' 2017 New York City Center Ensemble | A Major | 6 | 11B | 131 BPM | ||
Ariadne auf Naxos, Op. 60: Großmächtige Prinzessin | Richard Strauss, Ilse Hollweg, Erna Gal, London Symphony Orchestra, Josef Krips | E Major | 2 | 12B | 77 BPM | ||
1776: Sit Down, John | Sherman Edwards, William Daniels, 1776 Ensemble, Peter Howard | A♭ Major | 4 | 4B | 98 BPM | ||
Everybody Says Don't | Harry Guardino | C Major | 5 | 8B | 106 BPM |
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