"Street Scene: What Good Would the Moon Be?" by Kurt Weill, Anne Jeffreys, Maurice Abravanel was released on 1949. The duration of Street Scene: What Good Would the Moon Be? is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Street Scene: What Good Would the Moon Be?'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Street Scene (Original Broadway Cast Recording)". In this album, this song's track order is #11. Street Scene: What Good Would the Moon Be? is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Street Scene: What Good Would the Moon Be? by Kurt Weill, Anne Jeffreys, Maurice Abravanel having a BPM of 54 with a half-time of 27 BPM and a double-time of 108 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Survivor from Warsaw, Op. 46 | Arnold Schoenberg, Pierre Boulez, BBC Symphony Orchestra | E♭ Minor | 2 | 2A | 113 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Dido and Aeneas / Act III: "Thy Hand, Belinda...When I Am Laid in Earth" | Henry Purcell, Anne Sofie von Otter, The English Concert, Trevor Pinnock | G Minor | 1 | 6A | 82 BPM | ||
Winterreise, D911: Gute Nacht | Franz Schubert, Jonas Kaufmann | D Minor | 0 | 7A | 101 BPM | ||
Dialogues des Carmelites, FP 159: Act III Scene 4: Salve Regina (La Foule, Les Carmelites, Constance, Blanche) | Francis Poulenc, Jean-Philippe Lafont, Sally Matthews, Yann Beuron, Deborah Polaski, Heidi Brunner, Michelle Breedt, Hendrickje van Kerckhove, Magdalena Anna Hofmann, Christa Ratzenböck, Jürgen Sacher, Matjaz Robavs, Erik Arman, Craig Smith, Dominik Koninger, Nenad Marinkovic, Arnold Schoenberg Chor, Vienna Radio Symphony Orchestra, Bertrand de Billy | F Major | 2 | 7B | 76 BPM | ||
Concerto No. 1 in B-Flat Major, HWV 332: II. Allegro ma non troppo | George Frideric Handel, Freiburger Barockorchester | F Major | 1 | 7B | 66 BPM | ||
Dido and Aeneas: Overture | Henry Purcell, English Chamber Orchestra, Raymond Leppard | C Minor | 3 | 5A | 147 BPM | ||
Akhnaten: Hymn to the Sun | Philip Glass, Anthony Roth Costanzo, Jonathan Cohen, Les Violons du Roy | E Minor | 2 | 9A | 68 BPM | ||
Psaume 24. La terre appartient a l'Eternel | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic, Neil MacKenzie, City of Birmingham Symphony Chorus | E Minor | 2 | 9A | 83 BPM | ||
Prologue: Chorus of Exiled Palestinians | John Adams, Kent Nagano, The Opera De Lyon, London Opera Chorus | F Minor | 0 | 4A | 90 BPM |
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