Street Scene: What Good Would the Moon Be?
Kurt Weill, Anne Jeffreys, Maurice Abravanel
Street Scene (Original Broadway Cast Recording)
2:18 1949
BPM
54
Key
D♭ Major
Camelot
3B

Embed

Share Link

Street Scene: What Good Would the Moon Be? - Kurt Weill, Anne Jeffreys, Maurice Abravanel Information

Acousticness
96%
Danceability
46%
Energy
20%
Instrumentalness
0%
Liveness
10%
Loudness
79%
Speechiness
4%
Valence
16%
Popularity
Loudness
-12.758 dB

Summary

"Street Scene: What Good Would the Moon Be?" by Kurt Weill, Anne Jeffreys, Maurice Abravanel was released on 1949. The duration of Street Scene: What Good Would the Moon Be? is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Street Scene: What Good Would the Moon Be?'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Street Scene (Original Broadway Cast Recording)". In this album, this song's track order is #11. Street Scene: What Good Would the Moon Be? is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Street Scene: What Good Would the Moon Be? BPM

With Street Scene: What Good Would the Moon Be? by Kurt Weill, Anne Jeffreys, Maurice Abravanel having a BPM of 54 with a half-time of 27 BPM and a double-time of 108 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Street Scene: What Good Would the Moon Be? Key

This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
A Survivor from Warsaw, Op. 46 by Arnold Schoenberg, Pierre Boulez, BBC Symphony OrchestraA Survivor from Warsaw, Op. 46Arnold Schoenberg, Pierre Boulez, BBC Symphony OrchestraE♭ Minor22A113 BPM
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild by Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner PhilharmonikerKammermusik No. 1, Op.24 No.1: I. Sehr schnell und wildPaul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner PhilharmonikerB Major41B137 BPM
Dido and Aeneas / Act III: Dido and Aeneas / Act III: "Thy Hand, Belinda...When I Am Laid in Earth"Henry Purcell, Anne Sofie von Otter, The English Concert, Trevor PinnockG Minor16A82 BPM
Winterreise, D911: Gute Nacht by Franz Schubert, Jonas KaufmannWinterreise, D911: Gute NachtFranz Schubert, Jonas KaufmannD Minor07A101 BPM
Dialogues des Carmelites, FP 159: Act III Scene 4: Salve Regina (La Foule, Les Carmelites, Constance, Blanche) by Francis Poulenc, Jean-Philippe Lafont, Sally Matthews, Yann Beuron, Deborah Polaski, Heidi Brunner, Michelle Breedt, Hendrickje van Kerckhove, Magdalena Anna Hofmann, Christa Ratzenböck, Jürgen Sacher, Matjaz Robavs, Erik Arman, Craig Smith, Dominik Koninger, Nenad Marinkovic, Arnold Schoenberg Chor, Vienna Radio Symphony Orchestra, Bertrand de BillyDialogues des Carmelites, FP 159: Act III Scene 4: Salve Regina (La Foule, Les Carmelites, Constance, Blanche)Francis Poulenc, Jean-Philippe Lafont, Sally Matthews, Yann Beuron, Deborah Polaski, Heidi Brunner, Michelle Breedt, Hendrickje van Kerckhove, Magdalena Anna Hofmann, Christa Ratzenböck, Jürgen Sacher, Matjaz Robavs, Erik Arman, Craig Smith, Dominik Koninger, Nenad Marinkovic, Arnold Schoenberg Chor, Vienna Radio Symphony Orchestra, Bertrand de BillyF Major27B76 BPM
Concerto No. 1 in B-Flat Major, HWV 332: II. Allegro ma non troppo by George Frideric Handel, Freiburger BarockorchesterConcerto No. 1 in B-Flat Major, HWV 332: II. Allegro ma non troppoGeorge Frideric Handel, Freiburger BarockorchesterF Major17B66 BPM
Dido and Aeneas: Overture by Henry Purcell, English Chamber Orchestra, Raymond LeppardDido and Aeneas: OvertureHenry Purcell, English Chamber Orchestra, Raymond LeppardC Minor35A147 BPM
Akhnaten: Hymn to the Sun by Philip Glass, Anthony Roth Costanzo, Jonathan Cohen, Les Violons du RoyAkhnaten: Hymn to the SunPhilip Glass, Anthony Roth Costanzo, Jonathan Cohen, Les Violons du RoyE Minor29A68 BPM
Psaume 24. La terre appartient a l'Eternel by Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic, Neil MacKenzie, City of Birmingham Symphony ChorusPsaume 24. La terre appartient a l'EternelLili Boulanger, Yan Pascal Tortelier, BBC Philharmonic, Neil MacKenzie, City of Birmingham Symphony ChorusE Minor29A83 BPM
Prologue: Chorus of Exiled Palestinians by John Adams, Kent Nagano, The Opera De Lyon, London Opera ChorusPrologue: Chorus of Exiled PalestiniansJohn Adams, Kent Nagano, The Opera De Lyon, London Opera ChorusF Minor04A90 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 1.249495267868042

End: 1.252791404724121