"Ariadne auf Naxos, Op. 60: Großmächtige Prinzessin" by Richard Strauss, Ilse Hollweg, Erna Gal, London Symphony Orchestra, Josef Krips was released on November 13, 2020. Ariadne auf Naxos, Op. 60: Großmächtige Prinzessin appears to be safe for all ages as it is not explicit. There are a total of 12 in the song's album "Richard Strauss: Arabella; Capriccio; Ariadne auf Naxos – Excerpts (Opera Gala – Volume 11)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Ariadne auf Naxos, Op. 60: Großmächtige Prinzessin is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ariadne auf Naxos, Op. 60: Großmächtige Prinzessin by Richard Strauss, Ilse Hollweg, Erna Gal, London Symphony Orchestra, Josef Krips having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Do Not Go My Love | Charlotte Hoather | F♯ Minor | 1 | 11A | 89 BPM | ||
5 mélodies populaires grecques: No. 3, Quel galant m'est comparable | Radio Bratislava Symphony Orchestra, Paulina Stark, Dennis Burkh | G Major | 1 | 9B | 0 BPM | ||
La Tempestad, Acto I: La Lluvia Ha Cesado (Monólogo de Simón) - Remastered | Ruperto Chapí, Miguel Ramos Carrión, Manuel Ausensi, Ataúlfo Argenta, Jose Perera, Orquesta De Camara De Madrid | C Major | 0 | 8B | 70 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act 4: Entr'acte | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | D♭ Major | 0 | 3B | 81 BPM | ||
Katya Kabanova, JW I/8, Act I Scene 1: "Zázrak!" | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Ladislav Elgr, Claire Barnett-Jones, Pavlo Hunka | A♭ Major | 1 | 4B | 91 BPM | ||
Die Entführung aus dem Serail, K. 384, Act II: Welche Wonne, welche Lust - Remastered 2024 | Wolfgang Amadeus Mozart, Emmy Loose, Peter Klein, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Spring Symphony, Op. 44, Part I: The Merry Cuckoo (Tenor) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Allan Clayton | D Major | 2 | 10B | 148 BPM | ||
Trial by Jury: Is This the Court of the Exchequer? | Gilbert & Sullivan Society of Houston | D Minor | 2 | 7A | 120 BPM | ||
Sogno d'or, SC 82 (Arr. for Voice & Orchestra by Johannes X. Schachtner) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | G Major | 2 | 9B | 74 BPM | ||
Chansons de Marjolie: No. 7, En paradis | Théodore Dubois, Véronique Gens, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM |
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