Emilie Mayer, Yang Tai's 'Marcia in A Major' came out on October 5, 2018. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Emilie Mayer, Various Artists, Stefan Malzew, Sebastian Tewinkel's "Mayer: Symphony No. 4, Piano Concerto, String Quartet & Piano Sonata" album is number 10 out of 17. On top of that, Germany appears to be the country where this track was created. Marcia in A Major is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Marcia in A Major by Emilie Mayer, Yang Tai to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Trio in G Minor, Op. 15, JB 1:64: III. Finale. Presto | Bedřich Smetana, Smetana Trio | A Major | 0 | 11B | 88 BPM | ||
Sonate Op. 64: II. Scherzo (Vivace) | Mel Bonis, Juliette Hurel, Hélène Couvert | E Minor | 1 | 9A | 87 BPM | ||
Symphony No. 3 in F Major, Op. 90: I. Allegro con brio - Un poco sostenuto - Tempo I (2) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Fra Gudbrandsdalen, Op. 9: IV. Dei som drog i krigen 1807 | David Monrad Johansen, Rune Alver | F Minor | 1 | 4A | 142 BPM | ||
Symphony No. 49 in F Minor, Hob. I:49 'La Passione': III. Minuet - Trio | Joseph Haydn, Barbara Hannigan, Ludwig Orchestra | A Minor | 0 | 8A | 70 BPM | ||
Piano Concerto No. 3 in C Major, Op. 144: III. Finale. Allegro vivace e grazioso | Carl Reinecke, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | C Major | 1 | 8B | 64 BPM | ||
Piano Concerto No. 2 in A Minor, Op. 85: II. Larghetto | Johann Nepomuk Hummel, Stephen Hough, English Chamber Orchestra, Bryden Thomson | F Major | 1 | 7B | 127 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM | ||
String Quartet No. 11, Op. 122: IV. Etude. Allegro | Dmitri Shostakovich, Tiziano Baviera, Alberto Franchin, Sara Dambruoso, Tommaso Tesini, Quartetto Noûs | A Major | 1 | 11B | 122 BPM | ||
Haydn: The Seven Last Words of Christ, Hob. XX:1: Introduction. Maestoso ed adagio | Joseph Haydn, Sir Neville Marriner, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 68 BPM |
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