"Symphony No. 3 in F Major, Op. 90: I. Allegro con brio - Un poco sostenuto - Tempo I (2)" by Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden was released on March 22, 2021. The duration of Symphony No. 3 in F Major, Op. 90: I. Allegro con brio - Un poco sostenuto - Tempo I (2) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Symphony No. 3 in F Major, Op. 90: I. Allegro con brio - Un poco sostenuto - Tempo I (2)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 15 in Brahms: Symphony No. 3 by Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Symphony No. 3 in F Major, Op. 90: I. Allegro con brio - Un poco sostenuto - Tempo I (2) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 3 in F Major, Op. 90: I. Allegro con brio - Un poco sostenuto - Tempo I (2) by Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations and Fugue on a Theme of Mozart, Op. 132: Variation 5 - Quasi Presto | Max Reger, Staatskapelle Dresden, Heinz Bongartz | A Major | 2 | 11B | 128 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVII. Gavotta with Two Variations | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Fantaisies sur le nom de Sacher, for String Orchestra: VIII. | Philippe Hersant, Orchestre royal de chambre de Wallonie, Vahan Mardirossian | E Minor | 0 | 9A | 105 BPM | ||
Slavonic Dances, Series I., Op. 46, B. 83: VI. in D major. Allegretto scherzando | Antonín Dvořák, Prague Symphony Orchestra, Tomáš Brauner | A♭ Major | 0 | 4B | 131 BPM | ||
Romance in F Major, Op. 36, R. 195 (Version for Cello & Orchestra) | Camille Saint-Saëns, Daniel Müller-Schott, Deutsches Symphonie-Orchester Berlin, Alexandre Bloch | F Major | 0 | 7B | 78 BPM | ||
Genoveva, Op. 81: Overture (Excerpt) | Robert Schumann, Polish National Radio Symphony Orchestra, Johannes Wildner | B Minor | 3 | 10A | 128 BPM | ||
Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 6. Variation 5. Vivace | Wilhelm Furtwängler | B♭ Major | 3 | 6B | 104 BPM | ||
Orchestral Sounds | Anton Bruckner, Rundfunk Sinfonieorchester Berlin, Heinz Rögner | A Minor | 0 | 8A | 84 BPM | ||
Concerto for Violin and Cello in A Minor, Op. 102: III. Vivace non troppo | Johannes Brahms, Bernard Haitink, Tim Hugh, Gordan Nikolitch, London Symphony Orchestra | A Major | 1 | 11B | 134 BPM | ||
Symphony No.2 in C Minor, op. 17 " Little Russian " : I. Andante sostenuto-Allegro vivo | Philharmonia Slavonica, Alberto Lizzio | F Minor | 1 | 4A | 104 BPM |
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