"Romance in F Major, Op. 36, R. 195 (Version for Cello & Orchestra)" by Camille Saint-Saëns, Daniel Müller-Schott, Deutsches Symphonie-Orchester Berlin, Alexandre Bloch had its release date on September 3, 2021. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Romance in F Major, Op. 36, R. 195 (Version for Cello & Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 11 in Four Visions of France by Daniel Müller-Schott, Deutsches Symphonie-Orchester Berlin, Alexandre Bloch. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Romance in F Major, Op. 36, R. 195 (Version for Cello & Orchestra) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Romance in F Major, Op. 36, R. 195 (Version for Cello & Orchestra) by Camille Saint-Saëns, Daniel Müller-Schott, Deutsches Symphonie-Orchester Berlin, Alexandre Bloch is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat in D Major, BWV 243: IX. Esurientes implevit bonis (Arr. Rummel for Piano) | Johann Sebastian Bach, Jonathan Plowright | C Minor | 0 | 5A | 74 BPM | ||
Symphony No. 3 in D Minor, WAB 103 "Wagner" (1877 Version, Ed. L. Nowak): III. Scherzo. Ziemlich schnell | Anton Bruckner, ORF Vienna Radio Symphony Orchestra, Markus Poschner | G Major | 2 | 9B | 77 BPM | ||
Albumblätter, Op. 39: II. Andante sostenuto | Adrien La Marca, Danae Dörken | G Minor | 1 | 6A | 66 BPM | ||
Andantino in the Style of Martini | Fritz Kreisler, Marian Bolt, Kees Hulsmann | F Major | 1 | 7B | 95 BPM | ||
Tristan und Isolde, WWV 90: V, Liebestrank - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Allegro appassionato for Cello and Orchestra, Op. 43 | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | E Minor | 1 | 9A | 67 BPM | ||
Piano Concerto No. 2 in B-Flat Major, Op. 83: II. Allegro appassionato | Johannes Brahms, Michael Korstick, Constantin Trinks, Deutsches Symphonie-Orchester Berlin | D Minor | 2 | 7A | 105 BPM | ||
String Quartet No. 2 in F Major, Op. 41 No. 2: I. Allegro vivace | Robert Schumann, Quatuor Hanson | E♭ Major | 4 | 5B | 109 BPM | ||
6 Romances, Op. 38: No. 5, The Dream (arr. for piano trio by Alexander Panfilov) | Sergei Rachmaninoff, Christoph Croisé, Andrey Baranov, Alexander Panfilov | D Minor | 0 | 7A | 35 BPM | ||
Oh! Weep for Those (Arr. Isserlis) | Isaac Nathan, Steven Isserlis, Connie Shih | A Minor | 0 | 8A | 79 BPM |