"Piano Concerto No. 12 in A Major, K. 414: I. Allegro" by Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra was released on 1976. Piano Concerto No. 12 in A Major, K. 414: I. Allegro appears to be safe for all ages as it is not explicit. The track order of this song in Wolfgang Amadeus Mozart, Murray Perahia's "Mozart: The Complete Piano Concertos" album is number 4 out of 83. On top of that, United States appears to be the country where this track was created. Based on our statistics, Piano Concerto No. 12 in A Major, K. 414: I. Allegro's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 12 in A Major, K. 414: I. Allegro by Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Rhapsody No.15 In A Minor, S.244 Rákóczy March | Franz Liszt, Roberto Szidon | A Major | 3 | 11B | 88 BPM | ||
Piano Concerto No. 9 in E-Flat Major, K. 271 "Jeunehomme": II. Andantino | Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra | C Minor | 1 | 5A | 87 BPM | ||
Beethoven: Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto | Ludwig van Beethoven, Nikolaus Harnoncourt, Chamber Orchestra of Europe | C Major | 0 | 8B | 103 BPM | ||
Violin Concerto in G Major (completed by G. Rose): II. Adagio | Johann Nepomuk Hummel, Alexander Trostianski, Russian Philharmonic Orchestra, Gregory Rose | G Major | 1 | 9B | 92 BPM | ||
Violin Concerto No. 2 in D Minor, Op. 22: III. Allegro confuoco | Henryk Wieniawski, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 154 BPM | ||
Concerto for Viola and Orchestra in G Major: I. Largo | Georg Philipp Telemann, Capella Istropolitana, Paul Kantschieder | E♭ Major | 2 | 5B | 111 BPM | ||
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | ||
12 Études, Op. 25: No. 2 in F Minor "The Bees" | Frédéric Chopin, Jan Lisiecki | F Minor | 0 | 4A | 61 BPM | ||
Violin Sonata No. 24 in F Major, K. 376 (arr. P. Gallois for flute and piano): I. Allegro | Patrick Gallois, Wolfgang Amadeus Mozart, Maria Prinz | C Major | 1 | 8B | 127 BPM | ||
4 Klavierstücke, Op. 119: No. 2, Intermezzo in E Minor. Andantino un poco agitato | Johannes Brahms, Rudolf Serkin | E Major | 0 | 12B | 75 BPM |
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