"Je Te Veux" by Erik Satie, Pascal Rogé was released on August 18, 2010. With this song being about 5 minutes long, at 4:58, "Je Te Veux" by Erik Satie, Pascal Rogé is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 26 out of 31 in Crystal Dream Erik Satie & Takashi Yoshimatsu Piano Works by Pascal Rogé. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. In terms of popularity, Je Te Veux is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Je Te Veux by Erik Satie, Pascal Rogé is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | A♭ Major | 0 | 4B | 71 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano) | Gustav Mahler, John Gribben, Edward Wolanin | F Major | 0 | 7B | 71 BPM | ||
Piano Piece No. 23 | Giya Kancheli, Anna Gourari | F Major | 0 | 7B | 162 BPM | ||
Gnossienne No. 1 | Erik Satie, Giacomo Scinardo | F Minor | 0 | 4A | 99 BPM | ||
Première Gymnopédie | Erik Satie, Alexandre Tharaud | G Major | 0 | 9B | 76 BPM | ||
Today and it’s gone (Munich Session) | Carlos Cipa | D Major | 6 | 10B | 187 BPM | ||
3 Gymnopédies: Gymnopédie nr 3 (Arr. A. Miolin) | Erik Satie, Olof Höjer | A Minor | 0 | 8A | 135 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2, "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Igor Levit | D♭ Minor | 0 | 12A | 78 BPM |
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